A Quote by Sean William Scott
I draw to shock myself out of a too-easy rhythm - I may begin with no conception whatever, an image emerges . I rub it out and begin again, searching for its counterpart. When it appears I invariably find that the thing I draw is at my elbow, it is out of the window, or has been standing at my front door for a long time.
Related Quotes
I begin with an image of some sort, just as if you saw something out of a window, and then went to the window to see what it was.
"Ladies and Gentlemen, we're about to begin boarding. If we could ask for your cooperation, please stay seated until you row has been called." ... That's what they say - but somehow, by the time it comes out of the speaker, it sounds like, "Everybody up and rush the door! Everybody up and try to squeeze your big fat butts in the small gate door area! Immediately! ... Do whatever you have to do to get on board. This is the last helicopter out of Vietnam!"
Most spiritual experiences begin with suffering. They begin with groundlessness. They begin when the rug has been pulled out from under us.
I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.
Chilled-looking people walking along the riverside, the snow beginning, faintly, to pile up on the roofs of cars, the bare trees shaking their heads left and right, dry leaves tossing in the wind. The silver of the metal window sash sparkling coldly. Soon after, I heard sensei call, "Mikage! Are you awake? It's snowing, look! It's snowing!" "I'm coming!" I called out, standing up. I got dressed to begin another day. Over and over, we begin again.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
As we hone the ability to let go of distraction, to begin again without rancor or judgment, we are deepening forgiveness and compassion for ourselves. And in life, we find we might make a mistake, and more easily begin again, or stray from our chosen course and begin again.
I remember when my daughter was twelve, suddenly a boy started hanging out in front of our house after school. It was this kid, Justin. My office at the time was right in the front, so I just looked out the window. I couldn't write. I couldn't concentrate. I was like, "What are you doing? What do you expect to achieve by standing in front of my house with my daughter inside?" I hated that kid so much.
Draw nigh to God, and He will draw nigh to you. Keep near to the fountain-head and with joy shall ye draw water out of the wells of salvation.
I have to tell it again and again: I have no doctrine. I only point out something. I point out reality, I point out something in reality which has not or too little been seen. I take him who listens to me at his hand and lead him to the window. I push open the window and point outside. I have no doctrine, I carry on a dialogue.
I try not to spend too much time interpreting my comics for people, because I try to put out there whatever I can, and people can draw whatever conclusions they want.
I plant rosemary all over the garden, so pleasant is it to know that at every few steps one may draw the kindly branchlets through one's hand, and have the enjoyment of their incomparable incense; and I grow it against walls, so that the sun may draw out its inexhaustible sweetness to greet me as I pass.
To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
In the old days, writers used to sit in front of a typewriter and stare out of the window. Nowadays, because of the marvels of convergent technology, the thing you type on and the window you stare out of are now the same thing.
One, don't wait for inspiration, just start the damned thing. Two, once you begin, keep on until the end. How do you know how the story should begin until you find out where it's going?
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