A Quote by Shawn Amos
When I was growing up in L.A. in the late '70s and early '80s, Michael Jackson's was the first face on TV that looked like mine.
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When I was a kid growing up in the States in the late '70s and early '80s, as soon as 'Dallas' came on on a Friday night on CBS at 9 P.M., we stopped everything from that moment on as a family.
I was really into the bimbo archetype that filled late 80s-early 90s TV when I was growing up. You know, women circling the want ads with nail polish, Rhonda Shear from 'U.S.A. Up All Night,' Peggy Bundy.
With Michael Jackson, when he moved, it looked like a martial artist to me. He was quicker than other dancers, but he didn't have muscles; he was just quicker and looked more in control of gravity. He looked like a martial arts master, so I tried to steal body movement from him; that's why I imitate Michael Jackson a little bit.
When I was a kid, I remember seeing Michael Jackson. I thought he was an alien. You don't grow up to be like Michael Jackson. I'm not saying I'm Michael Jackson, but Mercury Prizes are for aliens, basically. So I was very chuffed that I got nominated, and then I won.
'Ghoul' was what my world looked like, growing up in the late Seventies and early Eighties, and what I thought it looked like. A lot of my personal experiences went into it.
When I first got started in the late '70s, early '80s, and first was thinking about the interactive world, I believed so fervently that it was the next big thing, I thought it would happen quickly.
Growing up, there were no families on TV that looked like mine.
When I was growing up in South Korea in the '70s and early '80s, the country was too poor to buy original records. Everything was bootlegged.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
Growing up, I was obsessed with Michael Jackson. I saw him at Wembley when I was 7 years old, it was my first proper show. He was like a god to me.
I remembered being young in the late '70s and early '80s and growing up at the height of the Cold War. I remembered how scared I was of nuclear weapons, how often I though about them and about the possibility of everything and everyone I knew vanishing in a second in temperatures hotter than the centre of the sun.
I was a big fan of X. I've probably seen 100 X shows during their time in the late '70s and early '80s.
You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him.
A friend of mine's sister was on a TV show here in Toronto, a popular show. I don't know I guess it must be some Canadian come line. Well Mr. Dressup a friend's sister was on Mr. Dressup and I just never understood - knew that I could know someone in the flesh that was on the TV. It was just a bizarre thing for me. I grew up drinking Coca Cola, singing to Michael Jackson and the '80s a pretty stand by me life.
My whole childhood when I was growing up, Michael Jackson was my husband. My cousins had Jackie Jackson and my sister had Jermaine Jackson. We all had the brothers, but Michael was my husband. So, to me, in my little 6-year-old or 13-year-old brain I'm talking to my husband. I don't want to get over excited. I don't want to sound too much like a screaming fan.
There's a focus that hasn't been there for ages and ages and some American bands are sounding quite English like they did in the late 70s and early 80s.
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