A Quote by Shauna Niequist

Sometimes the happiest ending isn't the one you keep longing for, but something you absolutely cannot see from where you are — © Shauna Niequist
Sometimes the happiest ending isn't the one you keep longing for, but something you absolutely cannot see from where you are
There is a German word, Sehnsucht, which has no English equivalent; it means 'the longing for something'. It has Romantic and mystical connotations; C.S. Lewis defined it as the 'inconsolable longing' in the human heart for 'we know not what'. It seems rather German to be able to specify the unspecifiable. The longing for something - or, in our case, for someone.
Writing is a voice that calls us from dreams, that peeks out of the corner of our eyes when we think no one is looking, the longing that breaks our hearts even when we think we should be happiest, and to which we cannot give a name.
Maybe my movie isn't over, I say, because sometimes moviemakers trick the audience with a false bad ending, and just when you think the movie is going to end badly, something dramatic happens, which leads to the happy ending. This seems like a good spot for something dramatic to happen, especially since it's my birthday.
No matter how interminable something feels, there is always, always an ending. Sometimes that's good, and sometimes it's bad; sometimes it's a matter of indifference, and sometimes it's heartbreaking, and your life is never the same thereafter.
...the person who surrenders absolutely to God, with no reservations, is absolutely safe. From this safe hiding-place he can see the devil , but the devil cannot see him.
I have made the best and happiest ending that I can in this world, made it out of the flax and netting and leftover trim of someone else's life, I know, but made it to keep the innocent safe and the guilty punished, and I have made it as the world should be and not as I have found it.
It was when I was happiest that I longed most...The sweetest thing in all my life has been the longing...to find the place where all the beauty came from.
Longing for something that you once had is a mistake because the pictures in your mind are never the same as whatever it is you are longing for.
I try to keep up to my producers' expectations. Sometimes, I can; sometimes, I cannot.
I thought it was quintessentially American - very hip, very late-'60s. I was absolutely stunned when a German production company asked me if I could do a 'Sesame Street' in Germany. It was absolutely the happiest surprise.
Taking one’s chances is like taking a bath, because sometimes you end up feeling comfortable and warm, and sometimes there is something terrible lurking around that you cannot see until it is too late and you can do nothing else but scream and cling to a plastic duck.
I watch children a great deal; their idea is that rules are always negotiable, whereas you absolutely cannot joke at the airport about your toothpaste, and you cannot rollerblade in Grand Central Station. I keep running up against these things.
Working at Palace was one of the happiest episodes of my football career, even though the ending was one of the most upsetting and traumatic.
Where there is a will, there is a way. If there is a chance in a million that you can do something, anything, to keep what you want from ending, do it. Pry the door open or, if need be, wedge your foot in that door and keep it open.
I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.
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