A Quote by Seanan McGuire

'Feed' is about zombies and politics and blogging. It's about how George Romero actually saved the world! It's 'Night Of The Living Dead' meets 'The West Wing.' — © Seanan McGuire
'Feed' is about zombies and politics and blogging. It's about how George Romero actually saved the world! It's 'Night Of The Living Dead' meets 'The West Wing.'
To me, the zombies have always just been zombies. They've always been a cigar. When I first made 'Night of the Living Dead,' it got analyzed and overanalyzed way out of proportion. The zombies were written about as if they represented Nixon's Silent Majority or whatever. But I never thought about it that way.
What we're doing on 'The West Wing' is fictional. It's not a place to learn about politics or government. Has there ever been a fundraiser on 'The West Wing?' No. So right there, you're in Disneyland.
I love horror. I love 'The Shining,' 'Friday the 13th,' 'Halloween,' all those kinds of things. I love zombies, especially '28 Days Later' and '28 Weeks Later,' where the zombies are going faster than the George Romero ones. I love being scared; there's something that's awesome about your heart rate going up like that.
The West Wing seems to be feeding the myth about how presidential politics are.
I think that's the great thing about zombies, is, you know, going back to even 'Night of the Living Dead,' they've always been a tool for kind of holding up a mirror to us and showing us something about ourselves that we might not otherwise know.
There's a lot that I watch over and over. But I have to say, because of my line of work as a horror-movie hostess, I've probably seen Night Of The Living Dead more than any movie. I've probably seen it more than George A. Romero.
'West Wing' was a show about politics.
Zombies aren't about zombies. It's not about the dead bodies. I think it's a very hopeful subgenre. It says that regardless of what happens, humanity will get through it. We'll figure out a way to survive.
What's gratifying about West Wing is that everybody told us that it couldn't be done - that the man or woman on the street didn't care about politics. But if you set things up correctly, people don't have a problem with it.
I have talked to more people who are in politics who have said to me, "[House of Cards] is closer than you can imagine. It's the most accurate description of how politics actually works that we've ever seen." I mean, West Wing - beautiful, wonderful idea of how democracy should work. But I've had more people in politics say they think House of Cards is closer. I - don't know whether to take that as a compliment or a sad state of affairs.
Political art never goes away. I started watching The West Wing show recently and I'm actually learning about how the government works in a way. It's kind of embarrassing.
I think the general anxiety of the 1960s - '70s spawned our interest in the living dead. When people worry about the end of their world, they need a safe vessel for all their fears. Zombies provide that vessel because they're 'safe.'
I think the general anxiety of the 1960s - '70s spawned our interest in the living dead. When people worry about the end of their world, they need a safe vessel for all their fears. Zombies provide that vessel because they're 'safe.
When we were doing 'The West Wing,' the hardest thing about doing 'The West Wing' was being compared to yourself. You go out there and want every episode to be as good as your best episode. I wrote 88 episodes of 'The West Wing,' and when you do that, one of them is going to be your 88th best, so your 88th best better be pretty good.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
I've been lucky enough in 'The West Wing' and 'Brothers & Sisters' to talk about the issues that are important to me with none of the awful mud-slinging or public scrutiny you have in politics.
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