A Quote by Sri Sri Ravi Shankar

Favorable and unfavorable conditions are part of living but smiling through them all is the Art of Living. — © Sri Sri Ravi Shankar
Favorable and unfavorable conditions are part of living but smiling through them all is the Art of Living.
At certain times in the revolutionary struggle, the difficulties outweigh the favorable conditions and so constitute the principal aspect of the contradiction and the favorable conditions constitute the secondary aspect. But through their efforts the revolutionaries can overcome the difficulties step by step and open up a favorable new situation, thus a difficult situation yields place to a favorable one.
There's no such thing beneath the heavens as conditions favorable to art. Art must crash through or perish.
If we let ourselves, we shall always be waiting for some distraction or other to end before we can really get down to our work. The only people who achieve much are those who want knowledge so badly that they seek it while the conditions are still unfavorable. Favorable conditions never come.
Dhyana is retaining one's tranquil state of mind in any circumstance, unfavorable as well as favorable, and not being disturbed or frustrated even when adverse conditions present themselves one after another.
I recognize now that the conditions that Indians are living in are the conditions that poor people everywhere are living in.
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
For my part I distrust all generalizations about women, favorable and unfavorable, masculine and feminine, ancient and modern; all alike, I should say, result from paucity of experience.
Art is not living. It is the use of living. The artist has the ability to take the living and use it in a certain way and produce art.
Wisdom is the art of living skillfully in whatever actual conditions we find ourselves.
While we ourselves are the living graves of murdered animals, how can we expect any ideal living conditions on this earth?
It is neither favorable nor unfavorable, because no one is there to favor it.
On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history; and as there had been a beginning of life upon it, so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment.
The American dream is, in part, responsible for a great deal of crime and violence because people feel that the country owes them not only a living but a good living.
There is a great advantage in training under unfavorable conditions. It is better to train under bad conditions, for the difference is then a tremendous relief in a race.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
There's the human side of people who are in public life that connects people. Whether it's favorable or unfavorable, it gives them some connection with the person who's onstage, and I think those connections are edifying.
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