A Quote by Sridevi

'English Vinglish' is simple; that's why people like it. The film has simplicity and sensitivity. There is no melodrama. Some things have been conveyed just through expressions and no lines.
I felt that 'English Vinglish' was tailor-made for me since I found my character Shashi so relatable. Her simplicity and sensitivity attracted me towards the role.
I mean I loved 'English Vinglish' and I love Sridevi, but 'English Vinglish' still needs a Sridevi to get made, it's not like it's just any unknown actor.
I just like simplicity. I like simple songs, I like simple chords, simple vocals, simple lead guitar. I just like simplicity. That's just the way I like it.
Language is important, I know, for the TV show, so a lot of people watches 'WWE' everywhere. Asia, Africa... some people don't understand English like me. That's why I use facial expressions and body motions.
My brain is very simple. Like when you break everything down. I see things in a simple way. And that simplicity for some reason becomes funny to other people because they don't look at it that way.
People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity. Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves.
Simplicity is the strength of the film. It is an emotion-packed film with simple things knitted together beautifully.
If we have a simple existence, we shall feel how happy and how fortunate we are. There are some people who are of the opinion that simplicity is almost tantamount to stupidity. But simplicity and stupidity are like the North Pole and the South Pole. One can be as simple as a child and, at the same time, one can have boundless knowledge, light and wisdom.
I'm a very sensitive person at times. Not just to words that anybody says, but in relationships for example, the people that you open up to, you listen to, you hear - you know? So a lot of times, the key to some of my vulnerability is just through things, simple things - or critiques or whatever - or could be very simple things that are said.
You could imagine a language exactly like English except it doesn't have connectives like 'and' that allow you to make longer expressions. An infant learning truncated English would have no idea about this: They would just pick it up as they would standard English.
I never thought I will ever get back into films when I took that break. 'English Vinglish' just happened.
This is not just a simple story of "money can't buy happiness." Or maybe that's just what it is. And if it is, why shouldn't it be? Because if this is something we are already supposed to know, then why don't we know it? Why do we chase and scrabble and fight for things to flaunt, why? Why do we reach for power over other people, and through the thin superiority of our possessions, believe we have it? Why do we let money make people bigger, and allow those without it to be made smaller? How did we lose the truth in the frantic, tribal drumbeat of more, more, more?
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
I think that melodrama is a safe way of suffering, because your suffering is fake. That's why I like melodrama.
I hate to write and spend months just waiting for the film to get financed. Then when you start preparing the film and you shoot it, you've already forgotten why you wanted to make the film in the first place. I like to have some kind of coherent energy that takes you through writing, preparing, shooting.
All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.
This site uses cookies to ensure you get the best experience. More info...
Got it!