A Quote by E. B. White

The young writer should learn to spot them: words that at first glance seem freighted with delicious meaning, but that soon burst in the air, leaving nothing but a memory of bright sound.
Writers should avoid the academy. When a writer begins to accept pay for talking about words, we know what he will produce soon: nothing but words.
I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.
An artist who makes pictures that look good but express nothing is like a writer whose words sound good but have no meaning.
The 'idea' for the poem, which may come as an image thrown against memory, as a sound of words that sets off a traveling of sound and meaning, as a curve of emotion (a form) plotted by certain crises of events or image or sound, or as a title which evokes a sense of inner relations; this is the first 'surfacing' of the poem. Then a period of stillness may follow.
I wish I had a memory of that first violent shove, the shock of cold air, the sting of oxygen into new lungs. Everyone should remember being born. It doesn't seem fair that we only remember dying.
Learn to spot and avoid "writer groupies." The writer's self-sufficiency and our love for our work tend to attract insecure people who never can get enough love. They grow jealous of our work and come to regard it as a rival. These people can destroy you, so kick them out of your life or don't admit them in the first place.
The act of writing is for me often nothing more than the secret or conscious desire to carve words on a tombstone: to the memory of a town forever vanished, to the memory of a childhood in exile, to the memory of all those I loved and who, before I could tell them I loved them, went away.
The memory of past favors is like a rainbow, bright, vivid, and beautiful; but it soon fades away. The in memory of injuries is engraved on the heart, and remains forever.
I went back into the older stories and reworked them, because I became a better writer over the years and could spot flaws. I loved having another chance to make them stronger, and to bring them closer to me, made them less like a greatest hits compilation, and more like something written in the same extended burst.
When you're climbing with someone who always sees the bright spot, even if there is no bright spot, that attitude is really helpful.
The first ghost to leave the world of the dead was Roger. He took a step forward, and turned to look back at Lyra, and laughed in surprise as he found himself turning into the night, the starlight, the air. . .and then he was gone, leaving behind such a vivid little burst of happiness.
I've been in situations where I've said to young people: "You're so personable, you're so articulate, you're clearly so bright, you're so good-looking - feel better about yourself!" But if at the core if you don't, all those words mean nothing. Absolutely nothing.
Men of the world who value the Way all turn to books. But books are nothing more than words. Words have value; what is of value in words is meaning. Meaning has something it is pursuing, but the thing that it is pursuing cannot be put into words and handed down. The world values words and hands down books but, though the world values them, I do not think them worth valuing. What the world takes to be values is not real value.
(Speaking of the Cistercian monks) A grim fraternity, passing grim lives in that sweet spot, that God had made so bright! Strange that Nature's voices all around them--the soft singing of the waters, the wisperings of the river grass, the music of the rushing wind--should not have taught them a truer meaning of life than this. They listened there, through the long days, in silence, waiting for a voice from heaven; and all day long and through the solemn night it spoke to them in myriad tones, and they heard it not.
Mere air, these words, but delicious to hear.
Young women should be telling stories of other young women. And if the superstar who is an amazing storyteller isn't a writer, that's totally fine, but we should get a young female writer in the room to work on that song with us.
This site uses cookies to ensure you get the best experience. More info...
Got it!