A Quote by E. B. White
I have just been refining the room in which I sit, yet I sometimes doubt that a writer should refine or improve his workroom by so much as a dictionary: one thing leads to another and the first thing you know he has a stuffed chair and is fast asleep in it.
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Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similes (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time).
One thing leads to another? Not always. Sometimes one thing leads to the same thing. Ask an addict.
Time really has gone by fast. I don’t know if your path is pre-written or what, but it’s crazy how one thing just leads to another.
Time really has gone by fast. I don't know if your path is pre-written or what, but it's crazy how one thing just leads to another.
You know the first time I sat in the chair I felt anything but up, it was very emotional for me. I had a chair in my hotel room, a chair at rehearsal, and I was trying to spend as much time as I could in the chair.
A writer is someone who tells you one thing so someday he can tell his readers another thing: what he was thinking but declined to say, or what he would have thought had he been wiser. A writer turns his life into material, and if you're in his life, he uses yours, too.
Since the time I resigned, I sometimes wonder whether creating 8chan was a good thing. I sometimes wonder about the things that I said in the past while I was being its admin. Sometimes I think I should have been harder on violent threats. I think maybe I should have worked much harder to improve the moderation systems.
The first thing a writer should be is - excited. He should be a thing of fevers and enthusiasms. Without such vigor, he might as well be out picking peaches or digging ditches; God knows it'd be better for his health.
When you are a sentence-based writer, they have to be good. They have to be really on the spot. Because when you don't have a plot, really, what shall you rely on? Just language. And sometimes I am so afraid of writing the wrong thing, I just sit and wait for the right thing to come.
Sometimes I think you do the things you think are best at the time for what you need to take care of, and then just one thing leads to another thing. And one day you're there going, 'How did I get here? It wasn't my ultimate plan, but I'm here.'
Most terrors are but spectral illusions. Only have the courage of the man who could walk up to his spectre seated in the chair before him, and sit down upon it; the horrid thing will not partake the chair with you.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.
There's no way to know what makes one thing happen and not another. What leads to what. What destroys what. What causes what to flourish or die or take another course. But I was pretty certain as I sat there that tonight that if it hadn't been for Eddie, I wouldn't have found myself on the PCT. And though it was true that everything I felt for him sat like a boulder in my throat, this realization made the boulder sit ever so much lighter. He hadn't loved me well in the end, but he'd loved me well when it mattered.
This seclusion of the artist with his work, sometimes misconceived as a selfish thing, is in truth as needful a tool as any, if a vision is to be made clear to others. And all the men I have known do creative work obtained it; either mechanically, by the walls of a workroom, or by that withdrawal into themselves which is part of their power.
...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms.
I want you to stop running from thing to thing to thing, and to sit down at the table, to offer the people you love something humble and nourishing, like soup and bread, like a story, like a hand holding another hand while you pray. We live in a world that values us for how fast we go, for how much we accomplish, for how much life we can pack into one day. But I'm coming to believe it's in the in-between spaces that our lives change, and that the real beauty lies there.
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