A Quote by Abby Lee Miller

I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project. — © Abby Lee Miller
I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
If you embrace a project that will require time and patience, then you need something to work on. So the first step of the project is to create an identity. If you don't have an identity, then today you want this player and tomorrow another one. If you have an idea and a shape, then this is how you develop an identity.
There is some level on which this life must occasionally become repugnant and unappetizing to you and you must step back from it. And then you have a new relationship with it, and then you step back into it from a different angle - with a new appetite - and then you find the next leg of your journey.
I don't think it ever occurred to me that I wouldn't be an entrepreneur. My dad became a real estate developer, and that work is usually project-based. You attract investors for a project with a certain life cycle, and then you move on to the next thing. It's almost like being a serial entrepreneur, so I had that as an example.
Successful people are always thinking about what they can do to move to the next level. Initiative is the drive to do it - to take the first step, and then the next step. The great thing about initiative - is that it's free and available to everyone.
You shouldn't be afraid of failure - when something fails, you think, 'What did I learn from that experience? I can do better next time.' Then kill that project and move on to the next. Don't get disappointed.
Once I realized, I'm more than just a worker, I could create my own future - because your thoughts are your reality - I realized you don't have to work as hard. You can just sit back, breathe, think about your next move and then think of that next move as if you already accomplished it and everything's gonna come to you.
I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.
The way through the challenge is to get still and ask yourself, 'What is the next right move? What is the next right move?' and then, from that space, make the next right move and the next right move.
Like other parties of the kind, it was first silent, then talky, then argumentative, then disputatious, then unintelligible, then altogether, then inarticulate, and then drunk. When we had reached the last step of this glorious ladder, it was difficult to get down again without stumbling.
What happens with 'Mad Men,' it's like an Elvis Costello album; I'll watch it, and then I immediately have to watch it again. AMC will play it back-to-back. I have a tendency to yell at it when my wife's not around because if she catches me yelling at 'Mad Men,' then it gets weird.
What happens with Mad Men, its like an Elvis Costello album; Ill watch it, and then I immediately have to watch it again. AMC will play it back-to-back. I have a tendency to yell at it when my wifes not around because if she catches me yelling at Mad Men, then it gets weird.
Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.
If we do not step forward, then we step back. If we do not protect a right, then we deny it.
If a problem looks difficult, relax. If it looks impossible, relax even more. Then begin encouraging small changes, putting just enough pressure on yourself to move one turtle step forward. Then rest, savor, celebrate. Then step again. You’ll find that slow is fast, gentle is powerful, and stillness moves mountains.
If I get my teammates going early, then my shots usually open up. Come off pick and roll and make the pocket pass on the first one. Then it's like OK, does the defender step up now? Then next time I may have the layup. So, just playing the game like that. Reading and reacting and not thinking too much.
I tend to do something for two years then move on to something new. Yoga, then biking, then weight lifting, then back to biking. The moment it feels like a rut, I switch and search for a new love. It's like having a midlife crisis, but without the new wife or cheesy BMW.
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