A Quote by Evangeline Lilly

I've not worked with Martin Freeman. I've hung out with him, but I've not worked with him. — © Evangeline Lilly
I've not worked with Martin Freeman. I've hung out with him, but I've not worked with him.
It was great. I got to hang out with him [Martin Freeman as Bilbo Baggins], and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film.
Martin Freeman is a genius, he really is. He gives you every color of the rainbow in every take and it's wonderful just to play off of him and opposite him.
Martin Luther King, with whom I worked very closely, became very distressed when a number of the ministers working for him wanted him to dismiss me from his staff because of my homosexuality.
I never really worked with Chris Farley, I hung out with him, but I had plans, I had big plans, movies, and I was in no hurry.
Carlo Ancelotti is a good coach and a good man. I worked with him for just three months at Parma, before I left for Chelsea, although I had worked with him before with the national team. In my first game for the national team I played with him.
Out all of these zillions of letters, one of the first ones that came was, as it turned out from Johnny Carson within the last five or six weeks of his life. I had worked with him. He lost a son who had worked for me.
Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.
I think the world of Dave Griffin. I worked with him in Phoenix, got to know him very well, and consider him a friend.
We worked with Max Martin's team, MXM, who are the best in the business as well. We worked with Stargate, which was phenomenal, and Victoria Monet.
Once, after I had just worked out, I hopped on the elevator at the gym only to look up and see Conan O'Brien on it with me. I was so sad. I was all sweaty, but I love him so much, and I couldn't help but nerd out on him.
I never have crushes, apart from my husband Michael, I guess, because I was obsessed with him, and I didn't speak to him for nearly a year. I kept going into the restaurant where he worked to look at him.
Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. Getting to act with him is just [amazing]. I walked away from my audition for that and I couldn't believe that I'd been acting with him. I've worked with amazing people, but my friends freak out that I'm working with him. I freak out in a geeky acting way. They freak out in a starstruck way. He's Leonardo DiCaprio, and his fame is so big. That's a complete tangent about that.
Work was like a stick. It had two ends. When you worked for the knowing you gave them quality; when you worked for a fool you simply gave him eyewash.
My dad worked in a honey factory - we used to call him the honey monster' - and I worked there.
The 'Art of Charm' podcast can be intimidating. Not just because it's the work of a lawyer called Jordan Harbinger. Not simply because Jordan has worked out how to weaponise all the many elements of the human personality that go to make up charisma in order to get people to listen to him, be impressed by him, or hire him.
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.
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