A Quote by Ed Asner
Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
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If you can't get an acting job, then go backstage. Or take tickets.
I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.
Always keep yourself engaged, in theater, in whatever job you can get.
As an actor, you have got to learn your job as thoroughly as you can. If you know your job, then there's nothing that can stop you. Because the bottom line is that only good actors will get work.
For me, it was always survival. Learn where not to be at so you don't get shot. Learn where not to walk at so you don't get jumped. Learn who to stand up to, who not to stand up to. And then, when I got old enough to get a chip on my shoulder, I wanted to be the dog. I wanted to be the alpha.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
Tim Pigott-Smith once told me to never get off the carousel, i.e., just keep working. It's much harder to get back on and get a job when you're unemployed. But from my own experience, my advice would be keep the faith, be yourself, and don't be afraid to say 'no.' It's the only power we have!
Mama, I know you used to ride the bus. Riding the bus, and it’s hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it’s still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I’ve had enough, it’s my stop. I’ve had enough.
On every job you do, you've got to raise your game. My ambition is to just get better and better every job you do - you should never stop trying to get better. You have to teach yourself new things - I don't think you necessarily learn them from other people because you have your own style of doing things, but hopefully you get better.
My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
Most stand-ups, once they have done it, think of it as their default job. I'm pretty sure Jon Stewart still feels that way now. You are a stand-up first; other things come and go.
Sometimes it seems to stand still. Like you’re in a bag and you can’t get out and somebody’s always telling you that it will get better with time and time just seems to stand still and laugh at you and your pain.
If you don't have the good fortune to work a lot then you take any job you get offered, whether it's a good job, fun job, a bad job, horrible job, whatever, you just take what you need to take. But I'm lucky in that - at the moment anyway and hopefully forever, but who knows - I get the chance to pick jobs for the kick of it and the fun.
I tell anyone who is willing to listen that auditioning is the hardest part. Once you get the job, you have the job. You can go to work. You learn your lines. You learn your character. With auditioning, you can have five in a week with different people.
When I stand on stage, I get nervous, and because unexpected situations can occur, we need even more preparation. I must have confidence on top of that as well. The reason why I chose drama/theatre as my major is to act after learning all the theory first. You only live once, and I can only live as myself. I think I could learn a lot of things if I can live as others through acting.
Each job I had wasn't necessarily the perfect job, but I always talk to young women about how you really have to take certain things from each job and learn from that and then move on to something you really want to do.
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