A Quote by Ed Bradley

I would listen to how they told the story, to what elements they used, to how it sounded, and that's who I patterned myself after, the people who were on CBS News. — © Ed Bradley
I would listen to how they told the story, to what elements they used, to how it sounded, and that's who I patterned myself after, the people who were on CBS News.
I would listen to Little Richard and Fats Domino and Chuck Berry, and I would listen to how they played their riffs, and after I taught myself that, I taught myself to play my own kind of stuff.
Maybe I had something to do with that. I don't know. But public don't believe press. If you were straight and really told it like it is, as Howard Cosell used to say, right? Of course, he had some questions also. But, if you were straight, I would be your biggest booster. I would be your biggest fan in the world, including bad stories about me. But if you go - as an example, you're CNN. I mean, it's story after story after story is bad.
If you were a god, how would you like being called a myth, an old story to explain lightning? What if I told you, Perseus Jackson, that someday people would call you a myth, just created to explain how little boys can get over losing their mothers?
When I stepped down from the evening news at the age of 65, in '81, things were still going well. Immediately after that, the whole tenor of the CBS News Department changed.
After more than 50 years of broadcasting on 'CBS News' and '60 Minutes,' I have decided to retire. It's been a wonderful run, but the time has come to say goodbye to all of my friends at CBS and the dozens of people who kept me on the air.
Osho used me and Shunyo (my girlfriend at the time) as an example of how he envisioned men and women should relate. He shared a story he had often told in discourse of a man and woman who lived at opposite ends of a lake. They were deeply in love but only met by chance when sometimes out rowing on the water. He said it was beautiful how Shunyo and I met like this couple. When we had the feeling to be together, we would meet and enjoy. And when we were apart, we were also happy and content in our aloneness.
I always wrote about myself in the third person. I knew how to promote myself so it sounded intelligent. I know how to package myself.
I was really lucky to work at CBS news. I was blessed to be able to live my dream in many ways at CBS news.
News, after all, is a spin of words and pictures. It's a kind of music. There are beats in a newscast, a newspaper story. Ed Murrow sounded like Ed Murrow. Huntley and Brinkley sounded different. Anderson Cooper, different still.
I read the story and reread the story, but I still could not find the universality that the little Irishman had spoken of. All I saw in the story was some Irishmen meeting in a room and talking politics. What had that to do with America, especially with my people? It was not until years later that I saw what he meant ... I began to listen, to listen closely to how they talked about their heroes, to how they talked about the dead and how great the dead had once been. I heard it everywhere.
In 'The Next Three Days,' even though it was a prison breakout movie, I was asking myself, 'What would I do? How far would I go for the woman I loved? How far would I go, and what would I do when the person then told me that they were guilty? Could I still believe in them?' So it was very personal.
A story must be told in such a way that it constitutes help in itself. My grandfather was lame. Once they asked him to tell a story about his teacher. And he related how the holy Baal Shem used to hop and dance while he prayed. My grandfather rose as he spoke, and he was so swept away by his story that he himself began to hop and dance to show how the master had done. From that hour he was cured of his lameness. That's how to tell a story.
It's not lost on me that every single person who told their story about Harvey Weinstein talked about how they were silenced, how they were encouraged not to speak up, how they were embarrassed or ashamed to speak up.
Whom do I write for? I write for the story. Each story, it seems to me, knows best how it should be told. As I once put my ear to the railroad track, I listen now for the voice of my story.
It always fascinates me how you can get so much joy listening to another person, when me, personally, I can only listen to myself and my music these days. I've got some people in my iPod, but I only listen to myself. I'm folding into myself and I used to think that that was what you're supposed to do - you're supposed to reject everyone else and figure out who you are. You get little shards and points of reference, but that's how you confirm that only you know what is right for you. Everything else is pollution. What's starting to happen to me is sort of an identity crisis.
I told them how excited I would be to go into space and how thrilled I was when Alan Shepard made his historic flight, and when John Kennedy announced on the news that the men had landed safely on the moon, and how jealous I was of those men.
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