A Quote by Ed Westwick
It's very difficult to juggle two careers, unless you're going to have someone put it all together for you. Because you're on TV, somebody just gives you a record deal - that's not how I'd want to get it, because it's just not real.
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You don't want to get stuck with a record that you've done with someone that you feel obligated to put out - that's not really dope, just because you made an effort to get together and work.
When you take a picture you haven't a clue that it is going to be what it is. Maybe you have a clue but you don't really know. There are too many possibilities. Part of the game is how many balls you can juggle. It is to me. When you are 12 you can juggle two. Maybe when you are 50 you can juggle five. That is an interesting concept to me: how much I can put in and still make it pull together?
We were being put somewhere interesting from being involved with analog, to working with digital. Those two worlds just collided and it felt great! That was probably the key inspiration in terms of me going on to not just making dub plates for my sound, but doing the unobvious and "selling out" to the masses. I subsequently got a record deal because of that.
In real life, a relationship takes a long time. Either somebody is involved with somebody else, and that's ending, or somebody's hung up on an ex, or your job isn't going right, and so you're focused more on that than relationships. It just takes a lot for two people to get together.
You just want someone that you're going to get on with. That is genuinely the first priority. Even before how good they are, you want someone that you know you're going to have a laugh with and that the journey is going to be OK between the two of you.
When you retire, you start to try different things and you choose the one you enjoy the most. As a player, it's difficult to know if you'll be a good manager or not because you might think you can't deal with the dressing room or won't enjoy the game from the sidelines. There's also punditry and careers on TV, so football gives you many different options.
It suits him because way back many years ago when Nikita Mikhalkov, the great Russian director, came, I said, "I want you to meet somebody." So I get Billy Bob from Malvern, Arkansas and Nikita Mikhalkov from Moscow. It's just two big talents meet. We sat for two or three hours and talked. It was great. He's the real deal, this guy.
Never get in to it [acting] because you want to do it for the money. Have that passion in your heart, where you would do it for free just because you absolutely love it. If you just want to do it because you want to be famous, then go do reality TV.
I just find it funny and terrible: someone being very rude and overbearing over somebody who doesn't know how to deal with it. Maybe it's because I've experienced that sort of thing and I don't know how to say, 'You can't do that. You can't say that to me.'
I pay a lot of attention to box office because I understand it. TV ratings? I don't know how to interpret them, since I'm new to TV, so I'm just going to wait for somebody to tell me.
I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
When you get your first record deal, you will do anything, because you just want to sing.
As a player I have to be ultra-careful, especially in supermarkets. How often does somebody pick up something, realize they don't want it and put it back for someone else to touch. So yes, I put my mask and gloves on to be safe because you don't want to get ill, do you?
I was very dramatic - very, like, 'It's never going to happen. My life is over at 16 because I'm not already famous. I'm not going to get my record deal. I'm not going to be able to sing for a living.'
I think any great song is difficult to write, in some aspect. It's just difficult to make somebody feel something. That is the main goal. How do you make somebody want to get up and dance? How do you make somebody feel okay after their breakup?
Do we want to be successful, or do we just want to make noise just to make it? Or just to put something on the record? I'll be honest with you, I'm tired of putting stuff on the record. I'm ready to see some real transformation and change.
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