A Quote by Ed Skrein

Real human emotion is always interesting. — © Ed Skrein
Real human emotion is always interesting.
Human emotion is more interesting than anything. Everything that is so overtly sexual is not real. Real emotion is sexy. It's vulnerable and raw.
I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.
You know, Vik, you’re amazingly human at times. (Alix) I know. But I wonder if the feelings I have are real or just electrical stimulations in my cortex that simulate human emotion. I wish I knew if they were real or imagined. (Vik) And that makes you completely human, sweetie. We all have those doubts. (Alix)
I was always very proud of myself that I could wrest emotion from a doll or a puppet. It never occurred to me that I could find real emotion in a person.
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
Villains are not fun for me to play, as such. But caricature-ish, intense behaviors that are based on real human traits are interesting. That makes an interesting story.
I think this is interesting, us human creatures are capable of love, and it's a very powerful emotion. It also can go awfully wrong.
My first movie, 'Thirteen,' and it was very real - almost too real. It was very gritty, with raw human emotion. I'd love to do something like that again.
It's always an interesting challenge to see if you can create a character that's got emotion.
Feelings, too, are facts. Emotion is a fact. Human experience is a fact. It is often possible to gain more real insight into human beings and their motivation by reading great fiction than by personal acquaintance.
Hillary Clinton has been portrayed as robotic, someone who is trying to approximate real human emotion.
The most important club in the world is Tottenham. And it is the best club in the world. I need to feel like this, and that emotion is real because I cannot be fake. It's too difficult to create the trust if you don't really believe, and it's not real, that emotion.
The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.
I feel like I can't write something that has a real emotion in it if I can't connect to that emotion.
My job is to portray real human beings and real human experiences, and if I haven't had a real human experience myself outside of the film industry, how am I going to be able to do that?
Human sexuality is not always about being labeled. It's about having a human moment, an emotion.
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