A Quote by Edward J. Fraughton

In truth, the best long-term explanations about our ancient counterparts can be found in the paintings, sculpture, crafts, tools of utility, language and architecture left behind. These are the building blocks of civilization we call culture. These are what we call 'the arts.
Dancing and building are the two primary and essential arts. The art of dancing stands at the source of all the arts that expressthemselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite. Music, acting, poetry proceed in the one mighty stream; sculpture, painting, all the arts of design, in the other. There is no primary art outside these two arts, for their origin is far earlier than man himself; and dancing came first.
Psychologists call this habituation, economists call it declining marginal utility, and the rest of us call it marriage.
Though I love the arts with all my heart - paintings, sculpture, theatre, and music - and think they are among the biggest achievements we humans can do, I am really convinced that architecture is among the most important.
India and Egypt have been strongly influencing each other's culture, arts and architecture since ancient times.
You have to remember that not every creature that was evolving left behind its skull or its tools for our convenience tens of thousands of years later. Most bones or most tools rot or get buried and are never found again.
The museum is full of interesting things. All kinds of paintings are there. And then paintings too thick to put in a frame, that they call sculpture. And then there are spectators. with their scorecards, rooting for culture. And spectators of the spectators, looking for love's introduction. And art students taking notes. And old women trying to remember the past. And old men with too much to forget. And tourists, thinking that a museum represents a city. And loafers so poor, they study their soberness here.
Behind every specific call, whether it is to teach or preach or write or encourage or comfort, there is a deeper call that gives shape to the first: the call to give ourselves away - the call to die.
Ancient worship . . . does truth. All one has to do is to study the ancient liturgies to see that liturgies clearly do truth by their order and in their substance. This is why so many young people today are now adding ancient elements to their worship. . . . This recovery of ancient practices is not the mere restoration of ritual but a deep, profound, and passionate engagement with truth—truth that forms and shapes the spiritual life into a Christlikeness that issues forth in the call to a godly and holy life and into a deep commitment to justice and to the needs of the poor.
We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture. We can drag it behind us untouched, we can pound it to gravel, we can shape it into glory. Examples from every other life are left for us to see, lifeworks finished and unfinished, guiding and warning. Near the end our sculpture is nearly finished, and we can smooth and polish what we started years before. We can make our progress then, but to do it we must see past the appearances of age.
Since the beginning of civilization humans have altered our environment and its biology to allow our civilization to thrive - from domesticating plants and animals to building shelter and tools from living organisms.
Illusions mistaken for truth are the pavement under our feet. They are what we call civilization.
Every time I would arrive in China I would go through a few days of depression from being reminded of both short-term and long-term ruin; the ruining of the city that is happening in the short-term, and the ruining of culture and history that has happened over decades. When you see a building that says so much about the culture that built it being destroyed, there are a lot of emotions. You feel a lot of anger when you see a building being destroyed and realize that it's just a small part of what's going on in the entire country.
In fact, the socialization gives us the tools to fill our evolutionary roles. They are our building blocks.
Our music is all about making music for the party. We don't call it music, we call it tools - tools for the party.
I have discovered the secrets of the pyramids, and have found out how the Egyptians and the ancient builders in Peru, Yucatan and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons!
Our respect for culture and diversity and arts is very low because we only focused on building the economy. But now as we have reached modernization... many citizens can display their potential for arts and culture and I believe that's why Psy has become so popular.
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