The humor and emotion of the 'Do You Want to Build a Snowman' theme makes me cry every time I watch it, and that deep emotion is something we'd love to do on the show. If we can make you cry, we always try to. And 'Once,' when it's at its best, is emotional and fun.
I love 'Glee.' I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it okay to cry.
I am a late discoverer of 'Friday Night Lights.' I cry every episode at least once. I love to cry - happy, emotional tears. I just love it.
I love movies that make me cry, because they're tapping into a real emotion in me, and I always think afterwards: how did they do that?
I love movies that make me cry, because they're tapping into a real emotion in me, and I always think afterwards "How did they do that?"
I just want people to feel the emotion that's in the record. For me it's very raw and beautiful, I guess it's kind of like a diary for me. I'd love for people to be able to listen to it and it make them dance and cry and the same time.
Human beings are powered by emotion, not by reason. Study after study has proven that if the emotion centers of our brain are damaged in some way, we don't just lose the ability to laugh or cry, we lose the ability to make decisions. Alarm bells for every business right there. The neurologist Donald Calne puts it brilliantly: “The essential difference between emotion and reason is that emotion leads to action while reason leads to conclusions.”
I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it OK to cry.
I'll shout out to James L. Brooks. 'Terms of Endearment' always makes me cry. Also, 'Stepmom' always makes me cry. I guess, you know, mothers dying. It's a safe bet that I'm going to cry.
Mostly what I try to do is build emotion. Only I'd prefer not to do it by telling you about emotion but by pushing that emotion down.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
Emotion is always multiplied in the art of a person who doesn't really show much emotion. It once expanded deep within his hidden soul, and following the downplay his audience is blown away.
The way I work emotionally is: I don't ever try to cry. I try not to, which is what for me produces organic emotion.
The thing about kids is that they express emotion. They don't hold back. If they want to cry, they cry, and if they are in a good mood, they're in a good mood.
I'm a crier. I always cry. I cry at the dumbest things, too. This is why I sort of steer clear of movies and films that I know are going to be depressing. I don't care how many awards they've won - I know they're good. I don't need to watch them, because I don't want to be depressed, and I don't want to cry.
I almost never cry, and it's something I don't like about myself. I sometimes try and make myself cry. Sometimes, when I'm in pain, I say if I could just cry it would make it so much easier.
I went into 'RuPaul's Drag Race' saying, 'I'll never cry.' Because they make fun of every queen that cries on the show. And I did cry, and I did scream, and I did have doubt, and I did have great, victorious moments.