A Quote by Edward Abbey

A good book is a kind of paper club, serving to rouse the slumbrous and to silence the obtuse. — © Edward Abbey
A good book is a kind of paper club, serving to rouse the slumbrous and to silence the obtuse.
The impulse to create begins - often terribly and fearfully - in a tunnel of silence. Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
Silence, yes, but what silence! For it is all very fine to keep silence, but one has also to consider the kind of silence one keeps.
Do not believe that a book is good, if in reading it thou dost not become more contented with thy existence, if it does not rouse up in thee most generous feelings.
Silence is one of the hardest kind of arguments to refute. There is no good substitute for wisdom; but silence is the best that has yet been discovered.
You take a book, and what can you do with a book? Can you cook an egg on a book? No. Can you dig a hole? No. Is it a good weapon? No. The fact that it's good for nothing kind of makes it almost all-important.
If you're going to buy a real book, a paper book, there better be a good reason. Perhaps scarcity is one of those reasons.
If you can't be unconventional, be obtuse. Be deliberately obtuse, because there are 5 billion people out there thinking in train tracks, and thinking what they have been taught to think.
David Rouse, a goalkeeping scout for Manchester City, came over for maybe a week in October. He was an awesome guy. He showed me what kind of club they were like. We talked about Manchester City. He watched me and watched a game.
It doesn't really matter what "genre" your book is. What matters is that it's a good book of its kind. Whatever that kind may be.
I got quite bored, serving in the bar. Since I was there, the customers wouldn't talk about women, and with half their subject matter denied them, it was: horses, silence; horses, silence.
A book is not necessarily made of paper. A book is not necessarily made to be read on a Kindle. A book is a collection of text, organized in one of a variety of ways. You could say that words printed on paper and bound between cloth covers will someday be obsolete. But if and when that day comes, there will still be a thing called books.
There are different qualities of silence. There's the silence that sustains us, as women, that nourishes us, the silence where I believe our true voice, our authentic voice, dwells. But there's also the silence that censors us, that tells us what we have to say does not want to be heard, should not be heard, has no value. And that if we speak, it will be at our own peril. This kind of silence is deadly. This kind of silence is deadening to who we are as women. And when a woman is silenced, the world is silenced. When a woman speaks, there is an opening.
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.
As a boy, I was a member of a club run by the famous reptile showman Ross Allen, and the club sent its members pseudoscientific papers mimeographed on construction paper with a three-hole punch.
E-readers are uninspired. They're slabs of plastic with fiddly controls and display a badly-formatted, typographically impoverished rendering of a paper book. That's not the electronic book I want. I want a gorgeous physical object, with paper pages, that can transform into any story I choose, perfectly presented on the page.
When you publish a book, you do so in part to end the silence. All censorship is silence. I would never, as an author, feel right requiring a young person whose family would object to the book to read it. Just as I would never force that person to read it, I would ask those folks to not force others not to read it. To me, that is just good manners.
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