A Quote by Edwin Catmull
I have received a great deal of benefit from the simple yet difficult practice of learning to stop the internal voice in my head. I learned that the voice isn't me, and I don't need to keep rethinking events of the past nor overthink plans for the future. This skill has helped me both to focus and to pause before responding to unexpected events.
Related Quotes
I love voice over work. To me, voice over and animation is such an art, because you focus solely on your voice. You do not focus on how to speak, combined with facial expressions, movement, etc. You as the actor need to convey all those things with only your voice.
News has a way of distancing us from events, even as it informs us about them. News articles almost always present both the event and the responses at the same time - how is President Barack Obama or Congress responding to the events? I think this reflects a deep need we have to feel that things are under control and that events are subject to our influence.
You try to find the internal life, but a lot of it is creating it through physical behavior and figuring out the voice when you create as much of a past as you would in a naturalistic piece. But it's fun, because it's like you're learning something, learning some kind of physical skill.
That's the great danger of sectarian opinions, they always accept the formulas of past events as useful for the measurement of future events and they never are, if you have high standards of accuracy.
Punk may have helped me find my voice and made me realise that I had the right to have one, but it was riot grrrl that helped me sustain that voice and shout a little louder.
I'm like a decathlete who does all of the events he's used to, but is being forced by certain circumstances to focus on three events, and being forced to focus on events that he wasn't that interested in, and also weren't his strongest events.
You think you need me, little firecracker?” The gruff question travels all the way through me, and I have to press my thighs together to stop the tremor in me. “Baby, the way you need me can only barely cover half of the way I need you.” The unexpected sadness in his voice yanks my gaze back to his.
When I started covering The Beatles and The Rolling Stones in a rock 'n' roll band, it helped me realize that my natural voice is actually really high. It helped me find my voice.
We always seem to be surprised by events, especially by catastrophes, but also by wonderful events. Look at 1990, the year that the Soviet Union collapsed and apartheid in South Africa collapsed and the Berlin Wall came down. I don't know anyone who foresaw those events. It seems to me that as a species we are constantly trying to adapt ourselves to the unexpected. In the meantime, we talk as if we are in control, and we're not. This seems to me to be the truth about the twentieth century.
Those of us who obsess over every word and action are constantly recalling past events, but that doesn't make them any less painful, nor does it help us transcend them. To write memoir, you have to not only recollect past events, you have to revisit them. You have to get back to the mental and emotional state you were in during those events.
No other species lives with regret over past events, or makes deliberate plans for future ones.
The best predictor of future events is probably past events.
My greatest influences in my sport have been two former number one English lady darts players, Deta Hedman and Mandy Solomons. Deta helped me at international events and both helped me to cope with the big occasion which gave me the confidence I needed to become a champion.
My mentor made me say a poem over and over. 'Stop! That's not your voice. Start again.' I was sobbing by the end, but it drilled into my head that my voice is important.
There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the heighth of my voice. And so I learned to deal with it.
There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the height of my voice. And so I learned to deal with it.
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