A Quote by Edgar Ramirez
That's what happens in a good horror movie: there are always metaphors of greater subjects like humanity and empathy and compassion. It's not about the action and scary moments: You really care about these characters because they're mirrors of our own reflections.
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Britain has always told the world that being British is about the humanity, compassion and moral fortitude that we have. All great things that we are supposed to have spread across the world. A leave vote now says that we don't really care about anyone else, we don't care what happens to the European Union.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
I think if a horror movie is really scary, you'll think about it for weeks, and there's something kind of fun about that - about our art, really.
We seek to craft characters who inspire empathy: characters our audience will care for and, as a result, will care about what happens to them and thus will share the journey we have charted. A story, after all, is the character's journey.
Monsters can be scary, and they're great, but they're only really scary when they're reflections of us and they show you the things you're scared of might be true about your own nature.
I feel like I've always had two selves - the part of me that makes films and the part of me that's political, and they haven't really connected that much. Alias Grace talks about things like class and immigration and women's rights, which felt really good. But especially now, there are pressing things to be said. It's a really scary time in the world. It's a very scary thing to have an American president who openly brags about assaulting women and is openly racist. This isn't a moment to be speaking in metaphors.
Ethan Hawke is not a horror movie fan, but he's a really good friend of mine, and I finally cajoled him into doing 'Sinister.' Later, he said one of the reasons he was really resistant to doing a horror movie is he thought it'd be really scary on set.
'Rocky' is a movie that just happens to be about boxing. It's really about characters and story lines and relationships and all those things, and the backdrop is boxing. You can go back and watch the final fight in 'Rocky' a thousand times. If you dig that movie, if you like the characters, you'll watch the whole movie over and over.
If you care about the characters, then whatever scary thing happens to them, you feel it even more.
There are moments in 'Body Snatchers' that touch the sort of thing that I find scary... like isolation and the inability to trust even familiar things. But - is that a horror movie - or a thriller? I don't really know the difference.
When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.
We always talked about the sequel to 'Clown' being called 'Clowns,' like an 'Alien'/'Aliens' sorta thing, where you have multiple clowns. And just really make it, in the way that 'Aliens' was an action movie, do the same thing. Action-horror. That would be great.
But how can we love someone if we don't like him? Easy-we do it to ourselves all the time. We don't always have tender, comfortable feelings about ourselves; sometimes we feel foolish, stupid, asinine, or wicked. But we always love ourselves: we always seek our own good. Indeed, we feel dislike toward ourselves, we berate ourselves, precisely because we love ourselves; because we care about our good, we are impatient with our bad.
I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
I like stories where people have to face some big demons internally. It always seems to be an element of horror, because it's pretty scary to have to face yourself and the things you're most worried about: your own abilities and your own capabilities and your own level of competence in being a hero.
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