A Quote by Eddie Campbell

I remember having an argument with Alan, I said the Queen's not just going to call the guy up and send him out to do it. And Alan says, well, how would a monarch give orders to her assassin.
I don't lie to you," Alan said. "I lie WITH you." Sin stopped looking up at him from under her eyelashes and burst out laughing. Alan went red. "So I've just realized how that come out. Uh.
When I first met Alan, I was absolutely terrified. I was 19, he was Alan Rickman, and he's got that voice, and I remember meeting him in the hair and make-up trailer and thinking, 'I'm going to die. He thinks I'm rubbish. Why am I here?'
Said of her husband on the day their divorce became final: Oh, don't worry about Alan. . . . Alan will always land on somebody's feet.
Nick could see the gun shaking in Alan's hand now, in tight, terrified spasms. "Last night we put a magician in the river," Alan said, his voice low and intense as if he was making a promise."Maybe we should send you to join him." "You know the rules," the woman whispered. "Don't shoot the messenger." Nick interrupted, leaning down to speak in her ear. "Do they say 'Don't cut the messenger in half with your great big sword'?
I'd be interested to read Gull's paper on it, and I wish Alan would put it in somewhere. It gives him a relevance to our times, which he doesn't otherwise have. Gull, I mean, not Alan.
Don't worry, Alan. At least you'll be able to play close to a great team. (to Alan Ball, who'd just signed for Everton)
I did a Broadway show with Alan Alda and how much money can Alan Alda have.
I did a Broadway show with Alan Alda and how much money can Alan Alda have.
Alan," cried I, "what makes ye so good to me? What makes ye care for such a thankless fellow?" Deed, and I don't, know" said Alan. "For just precisely what I thought I liked about ye, was that ye never quarrelled:—and now I like ye better!
Casting is really weird. Honestly, when Alan Ruck's name came up - and I've worked with Alan before - I went, "Yes, he's perfect." He came in and read for us, which was really sweet of him because he didn't have to, and he nailed it in seconds. We knew exactly who we had. That stuff is really good and fun.
Alan: "I had terrible stage fright." Sin: "I'm not familiar with the concept of 'stage fright.'" A: "It's pretty awful. You end up having to picture the entire audience in their underwear. Phyllis was in that audience, you know." S: "Why, Alan, I had no idea your tastes ran that way." A: "Phyllis is a very nice lady. And I do not consider her so much aged as matured, like a fine wine. But I still think you owe me an archery lesson.
The cut in Nick's arm was starting to throb dully with the pressure he was putting on it. He kept looking at Alan. 'How many times have you lied to me?' he asked in a soft voice. Alan replied, equally softly, 'I've lost count.
I had been a lifelong Alan Turing obsessive. Among incredibly nerdy teenagers, without a lot of friends, Alan Turing was always this luminary figure we'd all look up to.
Alan Rickman has a huge presence in the Perfume: The Story Of A Murderer and takes an enormous amount of space with no effort. I wanted somebody to leave behind a strong impact and be a threat for Grenouille. When Alan takes to the screen, we immediately know there's an intelligent, instinctive and powerful force, so if he's pursuing our main guy then our main guy is in trouble.
Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.
I've played under Alan Pardew, Gianfranco Zola, Avram Grant, Sam Allardyce, Alan Curbishley and Slaven's made me captain.
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