A Quote by Eddie Rabbitt
I got into this business because you can get gratification from it the moment you set foot onstage.
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Every time I set foot on the Bernabeu turf I got the jitters, a kind of anxiety that takes hold of you the moment you step out into the glare of the floodlights.
Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.
You can repeat things because it's on a set and there are actors. But if it's a great moment and you don't capture it, it's rare to get that moment again.
Being a dancer I've got the idea that through discipline and hard work, you can develop the ability to be in a different dimension within seconds. You can be vomiting, you can detest who you are, detest the world, detest every single thing, and the next moment you are in the light and you glow. You forget everything, and you are just flying. When you're onstage, you are someone else. Beyoncé is very conscious of this. She said to me, "I'm another person when I'm onstage." And I said, "Oh yes, you are! You are an animal when you are onstage. You are a stage animal."
People buy a ticket to see your show, so from the moment I get onstage, I can have no insecurities, because they're already there. You have to get people to listen. If they listen, everything's cool.
I lay on the ground, but then I can't reach - I don't want to take my foot out of the tub - but I've got to call somebody because I've got to get a band-aid or something to stop the bleeding.
I just wanted to do it all. Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it, and I had never been on set before. But, from the minute I got on set and did 'Old School,' I was like, 'I want to do this!'
The idea was not to make a huge business, because the bigger you get, the more restraints I thought I might get. Number one was to do what I set out to do: make new and interesting things within the size of the business that is possible to do without restraints. The second goal was to do the business in order to achieve the first goal. That's what many people don't understand.
When I got on set, and these huge, big lights come on, it brings on a smell - it's almost like the smell of a light burning a little bit - and I said, 'This reminds me of my childhood,' because I grew up onstage.
When I left WWE, I had surgery on my foot. I had drop foot, where my foot was totally paralyzed. I had a tendon transfer and got nine screws in my foot.
The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.
We got instant gratification when we would slip in one of our own songs and people would cheer. We started getting a lot of gratification from writing.
Anne Lamott’s priest friend Tom, how to get through: "Left foot, right foot, left foot, breathe," he said. "Right foot, left foot, right foot, breathe." Salon April 25, 2003
There are so many challenges and different parts to the job of singing. When you're in the studio, you have to be really, really, precise. You've got to keep everything clean and nice because that's going to be something that's down forever. And then you go onstage, and it's much more in the moment.
As you get older and you hopefully battle your own demons, you find other reasons why you want to be an actor. The people that I truly admire do this because they love telling stories and they love the make-believe of the moment and not so much the gratification afterwards.
I ain't got a credit card, a mobile phone or a computer. Call me sentimental. I think that's a whole world of trouble I ain't got no business setting foot in. And you know what? It feels good.
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