A Quote by Edith Sitwell

If certain critics and poetasters had their way, 'Ordinary Piety' and its child, Dullness, would be the masters of poetry. — © Edith Sitwell
If certain critics and poetasters had their way, 'Ordinary Piety' and its child, Dullness, would be the masters of poetry.
One of the things that distinguishes poetry from ordinary speech is that in a very few number of words, poetry captures some kind of deep feeling, and rhythm is the way to get there. Rhythm is the way the poetry carries itself.
I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.
Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quitewell developed civilizations can produce good prose. So don't think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you'll see what I mean.
There is a certain age at which a child looks at you in all earnestness and delivers a long, pleased speech in all the true inflections of spoken English, but with not one recognizable syllable. There is no way you can tell the child that if language had been a melody, he had mastered it and done well, but that since it was in fact a sense, he had botched it utterly.
I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which cohort you were going with.
No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
People ought to like poetry the way a child likes snow & they would if poets wrote it.
If you like the precision and concision of poetry, a page of prose is unsatisfying in a certain way. And poetry is so direct.
Poetry and painting have arrived to their perfection in our own country; music is yet but in its nonage [immaturity], a forward Child, which gives hope of what it may be hereafter in England, when the masters of it shall find more Encouragement.
Film critics said I gave a voice to the fear we all have: that we'll reach a certain point in our lives, look around and realize that all the things we said we'd do and become will never come to be - and that we're ordinary.
Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.
I wrote poetry, journals, and, especially, plays for the neighborhood kids to perform. I had an ordinary, happy childhood. Nothing much was going on, but I had fun.
I stopped playing in the Masters in 2004, I stopped playing in the Par-3 [Contest], and now it's time to end this part of my Masters career. I would love to go on doing it forever, but I don't have the physical capability to hit the shot the way I would want to hit it. So I'll have to be content to watch.
Certainly I do not wish that instead of these masters I had read baby books, written down to children, and with such ignorant dullness that they blunt the sense and corrupt the tastes of the still plastic human being. But I do wish that I had read no books at all till later - that I had lived with toys, and played in the open air. Children should not cull the fruits of reflection and observation early, but expand in the sun, and let thoughts come to them. They should not through books antedate their actual experiences.
With a few exceptions, the critics of children's books are remarkably lenient souls.... Most of us assume there is something goodin every child; the critics go from this to assume there is something good in every book written for a child. It is not a sound theory.
Palestinian society is filled with poetry, but not experimental poetry. The Palestinian poetry that people know is not the modernist experimentations, it's certain kinds of poetry that lends itself to recitation and song and things like that.
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