A Quote by Ezra Miller

I guess the big thing is that I don't buy anything first-hand. It's a personal policy I have for all sorts of reasons. If you research to the textile industry yourself, you'll know why. I came to it personally.
Once you're a winner, you can give all sorts of reasons why you're a winner. Of course, you could all those same reasons to explain why a show fails.
No, I'm not the first or last model of my type in this industry. You can make up all the reasons you think I am where I am, but really, I'm a hard worker that's confident in myself - one that came at a time where the fashion industry was ready for a change.
There are conscious reasons and unconscious reasons why I pick something. You know, I have to be moved by the story and usually that means it has to touch me in some kind of personal place.
I don't know what started me, I just wrote poetry from the time was quite small. I guess I liked nursery rhymes and I guess I thought I could do the same thing. I wrote my first poem, my first published poem, when I was eight-and-a-half years old. It came out in The Boston Traveller and from then on, I suppose, I've been a bit of a professional.
The truth is, I hadn't grown up really wanting to be a writer. The whole thing was a weird aberration in some ways, and I didn't feel personally connected to the level of success I had with it - the success of sorts, I guess.
I guess I'll have to change my plan I should have realized there'd be another man Why did I buy those blue pyjamas Before the big affair began? I guess I'll have to change my plan.
It's a strange place where the film industry is at. I guess you could just play superhero after superhero. That seems to be the only guaranteed big-money thing. I don't know.
I'm not scared of many sectors, so if you look at my investment portfolio, it is pretty wide. I've invested in anything from market research firms to fashion houses and textile companies.
My mindset, when it came to wrestling, was more the reasons why I could, not the reasons why I couldn't, which is how you should look at, like, everything in life.
"Have you done your homework?" my mother would ask. "I'll do it later." "You will do it now, young man. I don't want you winding up on the third shift at Flagg-Utica." Flagg-Utica was a local textile plant. Somehow, I never could figure how failing to read three chapters in my geography book about the various sorts of vegetation to be found in a tropical rain forest had anything to do with facing a life as a mill hand. But with enough guilt and fear as catalysts, you can read anything, even geography books and Deuteronomy.
One of the awesome things about being a writer is that I can research nearly anything - tea? Bubblegum? Ants? Neurology? Chocolate? Textile production? It doesn't matter. It's all productive work.
You know, there are good reasons to learn how to read. Poetry isn't one of them. I mean, so what if two roads go two ways in a wood? So what? Who cares if it made all that big a difference? What difference? And why should I have to guess what the difference is? Isn't that what he's supposed to say? Why can't poets just say what they want to say and then shut up?
The only thing I know about Slovakia is what I learned first-hand from your foreign minister, who came to Texas.
Don't buy this 'believe in yourself' rubbish. Why do they keep telling youngsters that? There's no point believing in yourself if you don't know what you're doing. Once you've got a vision of what you want to do, by all means stick to that passionately and doggedly. Believe in your ideas. It's not quite the same thing.
As a writer of criticism, the consumer thing is the least interesting thing, but as a critic, the single worst thing you can do is send a reader to waste time and money on something - even if it's something you personally love. You have to indicate the reasons why you love it and they'll hate it.
Heritage will remain, first and foremost, a research institute dedicated to impeccable research and data-driven policy analysis.
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