A Quote by Ezra Furman

A repressed person overcoming their repression always makes good music. — © Ezra Furman
A repressed person overcoming their repression always makes good music.
They have done this through sexual repression, economic repression, political repression, social repression, ideological repression and spiritual repression.
But the repressed merges into the id as well, and is merely a part of it. The repressed is only cut off sharply from the ego by the resistances of repression; it can communicate with the ego through the id.
The onset of mania occurs when repression is no longer able to resist the assaults of the repressed instincts.
To play a repressed gay man, I had to explore what life was like in an era of sexual repression.
And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
Pop music is created by repression - and then the system takes it and makes even more money with it!
To me music is music. A person of faith, a person that calls themselves a Christian, they are the Christian and they make music. Some music has more to do about God than other music, but in reality what makes the difference between "secular" and "Christian" music is simply a marketing channel.
I was a very repressed young person. I wasn't good at school. I didn't fit in.
Rastafarianism and reggae music have always kind of resonated with me. Those ideas of redemption, liberation and overcoming oppression through music, weed and community. Fighting evil through love and music, I think it's just a really powerful idea.
I have always believed that resistance against repression and violence is possible without relying on similar repression and violence. I have always believed that human civilization is the fruit of the effort of both women and men.
You assume we are all sexually stable; while on the other hand, as I have become acquainted with people, I find that they are all perverted sinners, one way or another, that the whole society is corrupt and rotten and repressed and unconscious that it exhibits its repression in various forms of social sadism.
So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history - and history of repression.
I'm always producing with the idea that the music is representing one person. That could play a factor in the intimacy of it. I'm always producing for that one person, never for a group of people - especially if it's non-danceable. I'm always thinking that one person's going to listen to this and that person might want to feel a certain way at a certain time. That can be out in space, it can be at the bus stop, it can be laying in bed listening to music. I look at it as if I'm whispering in someone's ear, basically.
We define boredom as the pain a person feels when he's doing nothing or something irrelevant, instead of something he wants to do but won't, can't, or doesn't dare. Boredom is acute when he knows the other thing and inhibits his action, e.g., out of politeness, embarrassment, fear of punishment or shame. Boredom is chronic if he has repressed the thought of it and no longer is aware of it. A large part of stupidity is just the chronic boredom, for a person can't learn, or be intelligent about, what he's not interested in, when his repressed thoughts are elsewhere.
I study Carl Jung, who talks a lot about the shadow side, the repressed side. I think the scariest thing in the world is repression. There's plenty to be idealistic about, but we have to be aware of all sides of ourselves, and there are definitely shadows in all of us.
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