A Quote by Aidan Gillen

I've enjoyed working on the TV series that I've worked on, in particular something like 'The Wire,' where there was so much time to tell the story and develop a character. I learned from that that it's best not to lay all your cards on the table straight away.
Like stories, people have individual lives, and are all caught up in this murky thing. All of them have the best intentions. In that sense, you could just as easily tell the same story from another character's perspective. Maybe that's a good idea for a TV series.
In politics, strangely enough, the best way to play your cards is to lay them face upwards on the table.
TV, particularly network television, gives you a much greater opportunity to tell a long-form story, to develop a character and keep it detailed. Film, by its nature, is more finite.
Love should not be a guessing game. In fact, it shouldn't be a game at all. One should lay all the cards on the table, and be honest with intentions and feelings. And while some may hide and bluff with their cards, the true winners are those that lay their cards down honestly and find what they are looking for because of it.
When you go into a situation, and you're honest and straight-up about something, you put all your cards on the table.
I want to lay all my cards out on the table and walk away with no regrets.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.
Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also - if this isn't too grand a word - our tragedy.
Music helps define the character and is an extension of the character somehow, so that you are able to use both the songs themselves and the way that you sing them to tell something about the character and his story, as well as develop a performance style.
I feel like a lot of characters on TV don't have the time to tell that many aspects of a character's story and personality.
Servant leadership teaches us that you have to lay your cards on the table.
I've enjoyed my time at every club I have worked at, I've been lucky, but I won't jump in and finish up working with a chairman I didn't like very much.
As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.
I've worked in the theater, television, and films. A five-hour TV series is certainly more time than a character I'd be playing in a film.
The cards are bigger than you. You're not bigger than the cards. The cards are the best player at the table. So, let them come to you and don't force the issue. Pick your spots.
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