A Quote by Eamon Dunphy

Somewhere in there the grace of a ballet dancer joins with the strength of an SAS squaddie, the dignity of an ancient kind, the nerve of a bomb disposal officer. — © Eamon Dunphy
Somewhere in there the grace of a ballet dancer joins with the strength of an SAS squaddie, the dignity of an ancient kind, the nerve of a bomb disposal officer.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
I really developed an early love for ballet. Like most dancers, I am still 'first' a dancer. I'm very proud of it. Once you are a dancer, the physicality never leaves you, nor does the strength. Hopefully, it keeps you like an athlete.
Being a former dancer, classical dancer, it informed me as a human being just in terms of the grace I guess. Ballet is a very graceful form of art. You also become very aware of your body and your mind and your body is working in conjunction. That kind of helps you in acting as well. It's not only using your mind, it's like making your mind communicate this character into your body so that you can bring it to life and physicalize it.
In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
I was a ballet dancer and that kind of bled into musical theater. I was constantly in rehearsal for one thing or another.
SAS is 'created' 50 million times a year, 15 seconds at a time. These 50 million 'moments of truth' are the moments that ultimately determine whether SAS will succeed or fail as a company. They are the moments when we must prove to our customers that SAS is their best alternative.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.
So I'm studying ballet every day and really training so people will see me as a ballet dancer, which no one's seen before.
The real American type can never be a ballet dancer. The legs are too long, the body too supple and the spirit too free for this school of affected grace and toe walking.
How can you live the high life if you do not wear high heels? I don't understand why women wear these ballet pumps. They are only good if you walk like a ballet dancer, and only ballet dancers do that.
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