A Quote by Einar Selvik

In the long run, you have to have patience and integrity and a plan. You can't compromise your vision. I'm a bit of a control freak, brutal when it comes to my art because I believe it's the best way of doing it, for me. My stubbornness has given us the chance to play in some amazing places that most people never would have been allowed to play in. If I don't put a value on my work, then nobody else is going to.
As long as people want to hear me play and as long as I'm able to play, then I will. I enjoy playing and performing. If I wasn't doing that, what else would I do?
There’s a right time for everything. Not all will come to you, because there’s a solid plan. You just have to have faith, you have to believe that there’s a greater plan for us, in case it doesn’t pan out the way we thought it would. The only thing you can control is your attitude towards this things. You have to accept it and try to make the most of what is given to you.
I think it's OK to play to your strengths, and if I have a quality of Englishness that people like, I won't hide that. I'm probably not going to play a junkie and that's OK because there are other people who will do it better. A view that's been held for a long time is that the best way to prove oneself as an actor is to play the grittiest roles out there. I don't agree with that.
You really think your life is going to go a certain way sometimes, and then sometimes something amazing happens just out of the sheer generosity and kindness and faith of others and I never anticipated that I would have the chance to make my dreams come true. And you guys have given me that chance. It's about faith and encouragement and I wanna thank you from the bottom of my heart for giving me the trust and the belief that you have. And I hope you trust and believe in yourselves as much as you trust and believe in me.
I have no sense of direction; I never know where I am. When I back up a car, I'm more likely to hit what's behind me than not, because I have no vision for it. I've never been able to play games or play cards because I can't in my head get the next move. I've never been able to balance a checkbook. So there's some brain damage, but it may be that very brain damage that allows me to do the work I do. I've never met a cartoonist who isn't quirky or weird in some ways.
My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.
I've never been someone who's been given work because of the way I look or because I have some box office appeal. I get work because people know I'm swinging as hard as I can, trying to connect, giving it my level best. I have a face for radio, but here I am doing what I do.
My thing is to execute the given play, execute the game plan to the best of my ability. If the option is for me to make a play when I have to, I will. Or I'll put myself in the best situation to do so.
My mom didn't run for mayor until she was 65 years old - it was like a second and third career.... The way I've always thought about it is that I don't believe you run for office because you want a job. I believe if you run for office, it's because you have a vision for change. And if I ever came to that point, that's what would lead [me to run]. And right now I'm happily in a position where I believe I can work to deliver impact and work for change.
I began in 1976, with small abstract paintings that allowed me to do what I had never let myself do: put something down at random. And then, of course, I realized that it never can be random. It was all a way of opening a door for me. If I don't know what's coming - that is, if I have no hard-and-fast image, as I have with a photographic original - then arbitrary choice and chance play an important part.
When someone has to do work for me, I lose my mind. I can't help it, I'm a bit of a control freak. I've always wanted something that would depict slow-moving paintings, stunning artwork that also incorporates movement. It was hard letting someone else create that vision for me, but I love it.
I would have liked the Beatles never to have broken up. I wanted to get us back on the road doing small places, then move up to our previous form and then go and play. Just make music, and whatever else there was would be secondary.
I'm amazed people talk about my helmet - saying it makes me feel psychologically better. I would love to play without it, but I'm not allowed to by the doctor. As long as I'm told by the doctor I'm running too much risk to play without it, I'll play with it. There's no other way for me.
As a doc, though, I've seen what happens when people are under a lot of stress. Doesn't always bring out their best. When people are scared, they get angry. They'll do things they never thought they would. They'll bargain and compromise in order to survive; they'll chase after miracle cures and believe just about anything so long as it gives them hope. When hope fails, then watch out. Some people get brutal. They'll turn on each other; they'll become their own worst enemies.
You play against receivers, they're in one play and then they'll put somebody else in, run you deep and get you tired. Then they'll put their starters back in.
Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. Getting to act with him is just [amazing]. I walked away from my audition for that and I couldn't believe that I'd been acting with him. I've worked with amazing people, but my friends freak out that I'm working with him. I freak out in a geeky acting way. They freak out in a starstruck way. He's Leonardo DiCaprio, and his fame is so big. That's a complete tangent about that.
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