A Quote by Ekta Kapoor

When I want something, I go out and get it. That's Ekta Kapoor for you! — © Ekta Kapoor
When I want something, I go out and get it. That's Ekta Kapoor for you!
If anything, 'Kyunki Saas' is impossible without Ekta Kapoor.
I'm coming back to Ekta Kapoor's Balaji Telefilms. And I feel pampered, protected with them.
Ever since I was introduced to Ekta Kapoor, I have learnt a great deal from her storytelling, and the learning continues.
Ekta Kapoor believed that I would do good work and allowed me to explore. I had that support system.
My gaze is very different from that of Ekta Kapoor's, and that is quite visible in those two films - 'Ragini MMS 2' and 'Jism 2.'
As a child, I used to tell my mother that one day I will come on TV for one of the Ekta Kapoor shows, like 'Kyunki Saas Bhi Kabhi Bahu Thi.'
People have often asked me to do a remake of Awara' with Rishi Kapoor and Ranbir Kapoor. When I took the idea few steps forward, we all got scared. Where will we get another Prithviraj Kapoor and Raj Kappor? Where will I get composers like Shankar-Jaikishen?
Ekta Kapoor, the producer of 'Kaahin... ' once told me that you've got to keep breaking the mould to keep yourself in the game. Hence, I dare to do something different. For instance, after years of essaying flamboyantly dressed negative roles, I took on one of a demure singer in Zee TV's 'Sanjog Se Bani Sangini.'
I think the secret of my brand is that I speak to the guys who just get it. They don't want something all logo'd and tricked out. But they go to the gym. They still go out; they want to look hot. And they want an upgrade, but they don't want to look like their dad.
I remember one day, Ekta Kapoor came to the set and scolded me that you don't know how to act, why did we cast you'? She asked me to stay on the set till I learnt the technique of correct dialogue delivery. At that time I felt very humiliated.
You don't want to wait until something horrible happens to get help. Admit that something's not right. You might not know exactly what, but you still want to go get it checked out.
The men who go out the scientists who go out, they have so much fun on the way that when they get there well it's done. So they're looking for another thing. You see the objective may remain the same - the search - but you must get lost on the way, get stupid to my mind, this is what you do in theatre; a team of people go out to look for something, they find, maybe, something else.
Once you go on stage you're essentially creating the world that people want to participate in. The worst thing you can do is go out on stage with the idea that you're going to communicate something you've learned and if you do it really well, they'll approve. If you go out in an approval process, you will be so nervous and so preoccupied you'll never get to the heart of what it is you want to make music with.
A library is many things. It's a place to go, to get in out of the rain. It's a place to go if you want to sit and think. But particularly it is a place where books live, and where you can get in touch with other people, and other thoughts, through books. If you want to find out about something, the information is in the reference books---the dictionaries, the encyclopedias, the atlases. If you like to be told a story, the library is the place to go.
Be it 'Jhalak,' 'Dance India Dance' or 'Nach Baliye,' I give all the credit to Ekta Kapoor as, just because of her, I am here. She has an eye to identify the real talent. Instead, I would say she knows how to make things work for her. She is not simply called the queen of Indian Television: she is the tigress of TV, I would say.
You have to go really dark and deep with yourself and get your hands dirty and go into territories that you don't want to go into and feel things that you don't want to feel, but that's what ultimately pushes out the good and gives you some kind of a message that you can take and channel into something better. That energy's really powerful.
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