A Quote by Action Bronson

The first rappers I ever got into were Wu-Tang, Mobb Deep, and Nas. Those are the guys. Those are the dudes that flipped my wig. — © Action Bronson
The first rappers I ever got into were Wu-Tang, Mobb Deep, and Nas. Those are the guys. Those are the dudes that flipped my wig.
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
I was a huge Wu-Tang fan, along with Crucial Conflict, along with Do or Die along with Mobb Deep.
If you think about 2Pac, Biggie, and Nas, all of those guys were teenagers or in their early 20s when they got started. Everybody acts like young people have to be silly and lack perspective. Those guys had incredible perspective, and everything that they said was before 25 years old.
I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
I grew up on Wu-Tang and Tribe and Nas, all the raw, very New York-driven music. Then when I got older - in my late teens, early twenties - and that's when I started to listen to Drake and J. Cole, and so it wasn't just East-coast.
Wu-Tang was going through it. They didn't come from great homes or families. They really came from hard beginnings so it just made me reflect on my own situation. If Wu-Tang was able to make it, why can't I?
When Wu-Tang came, Wu-Tang was for that era, right there. When Dre had it in the West Coast, it was for that time. Biggie and them, it was for that time.
The music is just real powerful when Mobb Deep and Nas work together.
My first encounter with Wu-Tang Clan came when I ordered six CDs from those throwback catalog orders, from Columbia House or something, and '36 Chambers' was one of them. It was on from then.
Ghostface, when it comes to hip-hop, was one of my favorite rappers and definitely one of my favorites in the Wu-Tang. He's also a really cool dude.
I could never be a control freak. If Wu-Tang is a dictatorship, how does every Wu-Tang member have their own contract, their own career, and have put out more albums without me than they've done with me?
I always give RZA that support as far as saying he brought Wu-Tang to the table. It was his philosophy. He picked certain dudes to be part of this group, and he said, 'This is what it's going to be called.'
Education is the tool. Even if we haven't directly instructed a session, I think Wu-Tang has been an instructor of education to anyone who has been a fan, anyone who has supported our movement, whether its been from buying a Wu-Tang CD or coming to see a show.
I am a Wu-Tang member and Method Man, he been a Def Squad member way before I was a Wu member. I was like a Wu member but I wasn't official.
I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.
If you hear people talking about the Golden Era of rap, they're usually talking about the early Wu Tang Clan era and then Nas and Biggie and so on. But for me, it goes back to the '80s - 1986 to 1989.
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