A Quote by Elvis Mitchell
Since most of 'Mean Girls' consists of the outsider Cady observing the tribal rites of her new setting and laying it all out in narration, this movie is just like home for the meticulous and ruthless deadpan that Ms. Fey has perfected for the satirical 'S.N.L.' newscast in which she and Jimmy Fallon are the anchors.
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I look up to Jimmy Fallon. He hosts talk shows as a fan himself, and that's how I do it. When the celebrities come in, I'm excited that they're there. It's not just like a formal, 'Hey, how are ya?' It's like, 'Dude, what the hell! So happy to see you!' That's what Jimmy Fallon does every time.
I didn't respond to the kind of sarcastic tone. It felt like some of the Sarah Palin speech was written as though it were a Saturday Night Live newscast. Maybe that's because she looks very similar . . . She's got her Tina Fey thing going.
For those who don't like Dave Letterman, there's Jay Leno; and for those who like neither, there's Craig Ferguson; and if you're still feeling undertained, there's George Lopez and Jimmy Fallon and Jimmy Kimmel and - let's see, did we leave out a Jimmy?
I don't have anything against Jimmy Fallon. I love Jimmy Fallon. He's my dude.
[Asked, upon the death of her fast friend and sister suffragist Elizabeth Cady Stanton (1816-1902), which period of their association she had enjoyed the most:] The days when the struggle was the hardest and the fight the thickest; when the whole world was against us and we had to stand the closer to each other; when I would go to her home and help with the children and the housekeeping through the day and then we would sit up far into the night preparing our ammunition and getting ready to move on the enemy. The years since the rewards began to come have brought no enjoyment like that.
I look up to Gigi Hadid. I love where she's taken herself, I love what brands she's working on. I respect her because I understand... I mean, girls like her open the doors for girls like me. So all I can do is thank her.
It's hard for comic actors used to pulling faces just to be on screen, but Tina Fey does a good job. I liked watching her. The part, though, isn't filled in. When Baker announces that she's gotten too used to the madness of Afghanistan, that she's worried she's thinking of it as normal, the sentiment comes out of nowhere. The dramatic arc in "Whiskey Tango Foxtrot" is nonexistent. The movie evaporates in the mind like water in the Afghan desert.
What about Hong Chau? In typical supporting-part fashion, she shows up halfway through 'Downsizing,' already shrunk, an imperious Vietnamese house cleaner with a limp and sharp angles. The movie's satirical cleverness upstages its rage; then Ms. Chau proves she's capable of managing both.
Usually, like, on 'Mean Girls,' the task that Tina Fey and I set for ourselves was we wanted to maintain a comic intensity throughout the movie, where people just don't really get a break from laughing. And if they do, it's for a brief emotional scene, and then we're going to once again try to knock them on their heels again with comedy.
You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.
Once again she would arrive at a foreign place. Once again be the newcomer, an outsider, the one who did not belong. She knew from experience that she would quickly have to ingratiate herself with her new masters to avoid being rejected or, in more dire cases, punished. Then there would be the phase where she would have to sharpen her senses in order to see and hear as acutely as possible so that she could assimilate quickly all the new customs and the words most frequently used by the group she was to become a part of--so that finally, she would be judged on her own merits.
My mum had a massive influence on me, not just in what she wore and how she looked, but in her spirit. She was married to one of the most famous men in the world, and she didn't wear any makeup, ever. I mean, have you ever seen the wife of a man like that rock up with no makeup on? Because I haven't since.
Tina Fey's autobiography is very, very funny and very well written. It's her life story: it's about how she grows up in New York. There's no obvious reason why I should enjoy this - I mean, this is the autobiography of a woman in her early 40s in New York. I'm a guy from a small town in Denmark.
This was the feeling that Ms. Hempel couldn't shake: a conviction that she spent her days among people at the age when they are most purely themselves. How could she not be depleted when she came home, having been exposed for hours, without protection, to all those thrumming radiant selves? Here they were, just old enough to have discovered their souls, but not yet dulled by the ordinary act of survival, not yet practiced in dissembling.
The Queen has stayed with me in the sense that she lets people come to her. She doesn't feel like she has to go out. I mean, she doesn't have to anyway because of her rank and her position, but she doesn't have to overdo it.
Excellence or virtue is a settled disposition of the mind that determines our choice of actions and emotions and consists essentially in observing the mean relative to us ... a mean between two vices, that which depends on excess and that which depends on defect.
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