A Quote by Elvis Mitchell

It is fun to see a comedy in which every single joke hasn't been packed into the trailer. — © Elvis Mitchell
It is fun to see a comedy in which every single joke hasn't been packed into the trailer.
I have been recording every single one of my shows since 1994. Every single joke I've ever done is on a hard drive. I can tell you when I wrote every joke I wrote. I can tell you the first time I said it, when I made it different, when I made it better.
We have dealt with the Arab/Muslim problem in the American media in every single way but through comedy. Hollywood has always been lagging behind comedy... We can make fun of ourselves, too, and I'm inviting us to laugh with us - and all the misconceptions.
We're a comedy site and have made fun of every single race, religion, creed and gender. We've made fun of it equally.
I like a naturalism to my dialogue and my comedy. I would rather have a few jokes sail by that might be more subtle than have every single joke hit hard. I would rather the comedy come out of character as opposed to feeling forced. Even if you're giving some laughs up for it.
I hate when people say, 'He's having too much fun.' I've been in this game since I was 19 years old. Did you see a different Jose Reyes? No. You see the same guy every single day; nothing changes.
I'm like a bumper car. When I did an infomercial I was fodder for every TV comedy show. I couldn't get a job. People said I was a huge joke. I've been a joke so many times. I've been on my way out since I started, but I'm strong-willed. My mother is so much tougher than I am and my grandmother is so much tougher than my mother.
I believe it is tough to be funny and tougher to make people laugh. And it needs to be been done effortlessly. A joke can be comedy, but one can kill the joke if it is delivered badly.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
You don't see a wonderful shot in a comedy. Why? Because they don't want to distract you from what matters, which is the joke. It has to be funny, so usually all the things in the background don't matter.
In 1938, when I had decided that the only way to see the country was in a trailer, and I built the trailer which I still have and lived in it for eighteen months, and learned America from San Diego to the Canadian border, from Miami to New Jersey, and east to west in between.
I come from a very small island which is packed with people. I mean, jam-packed with people. I've lived a life which has been pretty much full up with ambition, ideas, stimulus, creativity, some negativity, which I try to avoid. Austin is a great sort of stepping-off point, if you like. I'm from a temperate climate.
When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'
A lot of times, comedy writers will go for the gay joke, and I've been vocal about saying, 'Go for the smart joke.'
I'm making fun of midwestern homophobia [in the joke], but I'm still saying faggot. And almost every month as I'm doing that joke it gets five percent less of a laugh.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
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