A Quote by Elaine Welteroth

As it's related to publishing, I think magazines really benefit from having a staff with a range of different perspectives and cultural references so that any reader can feel like there is someone on the masthead they can relate to, someone they can trust to speak up for them. It's great to see that idea being embraced more and more.
You have to be different to make a difference. You cannot change anything by adding more of the same. The greatest spiritual impact is made upon people by someone who is different from them. Others must see someone like Christ in us โ€“- not someone like the rest of the world โ€“- if we are to have any godly influence on them.
As a director, your job can range from having to lean on someone to get a performance out of them, to someone being so built for the part that all you have to do is make them feel confident and comfortable and assured of what they're actually doing, and you just wind them up and watch them go.
I think it's important to relate to one another about issues that you're having, because the second you open up and someone else says, 'Oh, me too. I feel the same way,' then all of a sudden, you feel more at peace with yourself and you can feel more confident with who you are.
I get kind of sad when I look at all of my magazines and think about how at one time I was much more impressed with a certain fashion editorial, or how I feel like I can't really relate to being that excited about fashion anymore. Maybe it's being jaded, but I honestly like that now, when something's really good, I feel more affected by it.
I know people think that having a regular publisher is more prestigious, there is even this idea that self-publishing is a result of being snubbed. But self-publishing really appeals to me.
I feel like Valleywag has been different things with different writers over the years. Up and down. I think it's at their best when they get a legitimate scoop, like when someone leaks them documents. I feel like we could do more of that, breaking stories.
I want people to ask me how I feel about the world, or what is my day about, and ask me a question that's not just related to food, but that's related to me being a person: Someone that's vulnerable, someone that has ideas and someone that wants to learn more.
When I see my staff take a step back because I've lost my cool about something food-related, I say never apologise for your standards. If someone doesn't meet them, then you should explain that and that you want it changed. I want my staff to be like that, too.
Nightmares are distinctly different from dreams in the way that people feel them and experience them. So a lot of people think that a nightmare is something where something is chasing them and you have to wake up screaming. Yes, that's one of the more common nightmares that we see is the person chasing someone or they're being chased.
I want to clarify it: I'm not against marriage, marriage is great if you want to get married. A lot of my friends are happily married. I don't think walking down the aisle and [having] a legal document can make a difference. That doesn't mean you love someone more or you respect them more - you can be with someone perfectly well without being married.
I just feel like it's easier to co-write sometimes, especially if you have chemistry with somebody. It kind of takes all the pressure off of you. But, you know, I started writing songs by myself. I didn't really have a co-writer, besides my dad. When I see a record and it has a song on it that someone wrote [alone], I just really believe in them as a writer. I feel like it's a window into them, more than it is if you write a song with someone else.
No matter what you're doing, whether you have a business with someone, a band with someone, when you feel confident that your idea is going to be embraced, and even if it isn't, that everyone is going to work on it as hard as they can, then that's a great thing.
A person gets pushed down; they think they're being 'body-slammed.' There's really not any certain thing - that came from more fake wrestling - you know, 'the body slam,' being picked up in the air and thrown to the ground. It's all in someone's interpretation of what someone thinks a 'body slam' really is.
There's a lot to be said for being in a room with a casting agent or a director. There are things you can't really replicate when you're self-taping and there's the bonus of having someone to direct you, which is extremely helpful. The benefit of self-taping is, I suppose, being on your own clock. It's certainly more relaxing to self-tape than to audition with someone in the flesh but I don't know if it's necessarily better.
When someone new comes into your life and suddenly you feel more alive, more beautiful, more sexual, more creative, more desirable and more engaged; you feel that this new person is the key to those feelings. But actually, you have these qualities too. What you don't see and don't acknowledge in yourself, you project onto someone else. Carl Jung explored this very well. He called it projection.
If I feel like someone is unjustly being attacked, I'll stand up for them. If I feel like someone is lying, then I'm going to call them on it.
This site uses cookies to ensure you get the best experience. More info...
Got it!