A Quote by Elaine Welteroth
Even with the beauty stories we put out, we saw there was an opportunity to address issues of representation, identity, self-expression. We created the community that we wanted to have at 'Teen Vogue.' We were willing to lose some to have more.
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When 'Teen Vogue' started out, 'Teen Vogue' was an aspirational fashion magazine for fashion lovers. You know, it was the little sister to 'Vogue.' And over the years, we've realized that our mission was really to become more focused on making this an inclusive community that speaks to every kind of young person.
Women have a better understanding of social issues, and better representation gives them an opportunity to address these issues.
And finally, I just felt it was crucial for some of us in the hip hop community to speak up on the issues of teen suicide, bullying, and the overall anti-homosexual sentiment that exist within hip hop culture. I felt so strongly about these issues and this song that I had to do a video that would command some attention, even if it makes some viewers uncomfortable.
The more isolated and disconnected we are, the more shattered and distorted our self-identity. We are not healthy when we are alone. We find ourselves when we connect to others. Without community we don't know who we are... When we live outside of healthy community, we not only lose others. We lose ourselves...Who we understand ourselves to be is dramatically affected for better or worse by those we hold closest to us.
The reason some younger women were willing to go out with my flabby, ageing self was that no one of their own age would put up with them for more than 10 minutes.
It's important in our role as leaders that we use the platform to address issues, to address barriers, to identify best practices for overcoming these challenges with businesses small and large. Maybe there are some public policy issues that we need to address. Maybe some of them are at the federal level and some are at the state or local level.
I wanted to tour the United States because I feel I owe it to the community that I grew up in. When I was growing up, the only people I saw on TV were Jackie Chan, Lucy Liu and Jet Li. Our representation as Asians wasn't big, but I wanted to be like Lucy Liu and then Maggie Q.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
The reactions haven't differed; the concerns have been different. When I read for a predominantly Indian audience, there are more questions that are based on issues of identity and representation.
I really wanted to address different issues of protection of biodiversity, water management issues that I knew were pretty severe in most countries, and then of course climate change.
In my early years, there were a number of experiences that made me decide I could not afford the luxury of just being an actress. There were a number of issues I wanted to address. And I wanted to use my career as a platform.
The more I heard, the more I've learned, and the more I saw, the more resolved I became about helping to address the challenges that plague the Native American community.
What if, instead of being afraid of even talking about death, we saw our lives in some ways as preparation for it.
What if we were taught to ponder it and reflect on it and talk about it and enter it and rehearse it and try it on?What if, rather than being cast out and defined by some terminal category, you were identified as someone in the middle of a transformation that could deepen your soul, open your heart, and all the while-even if and particularly when you were dying-you would be supported by and be part of a community?
Underground comics were striking in that they seemed largely unedited - in a typical book, with stories by five to ten creators, some stories would be shockingly bad, and others would be startlingly brilliant. This was a lively and exciting combination. The artwork and stories, good and bad, were all so different - I'd stare at the pages and lose track of time. This was a world where anything could happen, and I wanted to go there.
It's a bad strategy to have an identity-based strategy on the left. De-emphasizing identity all-around would help our politics because we would have to pay more attention to the issues. We may have to pay more attention to class if we didn't have these self-defeating identity agendas.
It is raining and you can hear the pattern of the drops. You can hear it with your ears, or you can hear it out of that deep silence. If you hear it with complete silence of the mind, then the beauty of it is such that cannot be put into words or onto canvas, because that beauty is something beyond self-expression .
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