A Quote by Eliza Coupe
If you have a strong sense of who you are and what you're doing, then it's actually easier to work with other people, because you don't have to worry about them or yourself. You're just worrying about getting the best product, and all that other stuff is out of the way.
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I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.
What's great about collaborating is getting to work with wonderful people. That's what theatre is about: other people getting you to give your best, and getting everyone else's best out of them.
We are all scrutinised. Everyone. Man, woman, everyone, especially if you are in the public eye in any way on social media. It's about doing you and not worrying too much about other things. Only worry about the things that are really worth worrying about.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
I'm interested in directing, but it's a real headache. Directing can be a real pain in the ass, because you not only have to worry about yourself, but all these other people coming to you with their problems. I like just worrying about myself.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
There's two kinds of evil that horror fiction always deals with. One kind is the sort of evil that comes from inside people, like in Dr. Jekyll and Mr. Hyde. The other kind of evil is predestined evil. It falls on you like a stroke of lightning. That's the scary stuff, but, in a way, it's the stuff you don't have to worry about. I gotta worry whether or not I'm getting cavities. I gotta worry about whether cigarettes are giving me cancer. Those are things I can change. Don't give me lightning out of a clear sky. If that hits me I just say, "That's probably the way God meant it to be."
Some stuff happened outside of tennis, and it made me realize that you just have to think about yourself, just focus on yourself, and don't worry too much about the other things because they can change very fast from positive to negative.
Mathematics can have its problems, but it's actually hasn't seen a lot of the problems as some of the other sciences and so much of it in what people are doing is completely useless. Nobody kind of in really cares very much. You don't really have kind of right and left and people in ideology coming in because there isn't any. It just doesn't actually connect up to the kinds of things that people ideologically worry about. So most of mathematics just doesn't tell you anything one way or another about global warming or about healthcare or about any number of things that you might care about.
I think it's good to surround yourself with people you care about and that care about you, and you all trust each other, and then you don't have to worry about problems and shitty stuff happening.
I work hard. I focus on myself and putting food on my dinner table before anything else. I don't worry about other artists. Worrying about the next person in a negative way is the wrong way to be.
Reach, and all that other stuff, doesn't play as big a part in MMA as it does in boxing. Guys don't really fight with their length all that much, because they have to worry about the takedown or kicks. They have to worry about so many other things that they can't just fight real tall.
I don't worry about budget, at least not early on. I discovered that if you start worrying about budget, then you'll get half of whatever you're trying to worry about. You're constantly working yourself into a corner. So, you just shoot for the stars and then see what you get.
I think the most difficult thing about coming out is just getting to that place where you're comfortable with who you are and you're sayin' hey this is ok and just accepting yourself and not caring what other people think. Because if you don't have that confidence in who you are then, if things don't go the way you wish that they will, you know if people aren't accepting then they can easily tear you down if you're not prepared and comfortable with who you are.
Writing a story starts out as a puzzle in your mind, of "What is it I'm fantasizing about right now that makes me think this is going to be worth years of work?" And you just keep pushing and trying to figure it out, and once you've hit on these resonances... Then as a screenwriter, it can be dangerous if you get too hooked on just finding things that resonate with each other, because then you risk getting into stuff that's too neat, and becomes stifled as storytelling. But you do feel like you're on the right track when you start to have a sense of what goes with what.
I do get stressed at times, but I love what I do as an actor. This is the part that I don't like. I don't actually like talking about - I wish I could just go and get on with my job, because I love getting a script, breaking it down, working with other people, bonding with other people, fighting with other people, and out of those arguments, creating something that nobody expected and seeing it all come together. Telling a story, having an impact on people's lives, moving them and making them laugh.
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