A Quote by Elizabeth Barrett Browning
A great acacia, with its slender trunk
And overpoise of multitudinous leaves.
(In which a hundred fields might spill their dew
And intense verdure, yet find room enough)
Stood reconciling all the place with green.
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The sun, a red wheel, was sinking slowly in the west. Besides being spectacularly beautiful, the early-summer sunset was exceedingly soft and gentle: black mulberry leaves turned as red as roses; pristine white acacia petals shed an enshrouding pale-green aura. Mild evening breezes made both the mulberry leaves and the acacia petals dance and whirl, filling the woods with a soft rustle.
Sorrow prepares you for joy. It violently sweeps everything out of your house, so that new joy can find space to enter. It shakes the yellow leaves from the bough of your heart, so that fresh, green leaves can grow in their place. It pulls up the rotten roots, so that new roots hidden beneath have room to grow. Whatever sorrow shakes from your heart, far better things will take their place.
Yon rosebuds in the morning-dew, how pure amang the leaves sae green!
Certain miracles that I beheld there have haunted my memory ever since: a gray April morning of sirocco, when the almond blossoms, the flaming tulips, the young green of the vines, hung as if painted on the motionless air; a summer night when the roses had an unearthly pallor under a half-eaten moon, whose ghostliness was somehow one with their perfume and with the phosphorescence of dew tipping their petals; a day when the trees stood part submerged in fog, into which leaves dropped slowly, slowly, one after another, and sank out of sight.
The forest stretched on seemingly forever with the most monotonous predictability, each tree just like the next - trunk, branches, leaves; trunk, branches, leaves. Of course a tree would have taken a different view of the matter. We all tend to see the way others are alike and how we differ, and it's probably just as well we do, since that prevents a great deal of confusion. But perhaps we should remind ourselves from time to time that ours is a very partial view, and that the world is full of a great deal more variety than we ever manage to take in.
I stood checked for a moment - awe, not fear, fell upon me - and whist I stood, a solemn wind began to blow, the most mournful that ever ear heard. Mournful! That is saying nothing. It was a wind that had swept the fields of mortality for a hundred centuries.
The dew seemed to sparkle more brightly on the green leaves the air to rustle among them with a sweeter music and the sky itself to look more blue and bright. Such is the influence which the condition of our own thoughts, exercise, even over the appearance of external objects.
I'm an East Coast guy and always will be. But I'm always going to find my way back to Green Bay whether I'm living here or not. Green Bay is a great place. Green Bay is awesome.
A red, red rose, all wet with dew, With leaves of green by red shot through.
Now he saw another elephant emerge from the place where it had stood hidden in the trees. Very slowly it walked to the mutilated body and looked down. With its sinuous trunk it struck the huge corpse; then it reached up, broke some leafy branches with a snap, and draped them over the mass of torn thick flesh. Finally it tilted its massive head, raised its trunk, and roared into the empty landscape.
When one speaks of increasing power, machinery, and industry there comes up a picture of a cold, metallic sort of world in which great factories will drive away the trees, the flowers, the birds, and the green fields. And that then we shall have a world composed of metal machines and human machines. With all of that I do not agree. I think that unless we know more about the machines and their use, unless we better understand the mechanical portion of life, we cannot have the time to enjoy the trees, and the birds, and the flowers, and the green fields.
The canker which the trunk conceals is revealed by the leaves, the fruit, or the flower.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
Will all great Neptune's ocean wash this blood clean from my hand? No, this my hand will rather the multitudinous seas incarnadine, making the green one red.
Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film.
I always thought jazz was like the trunk of a tree. After the tree has grown, many branches have spread out. They're all with different leaves and they all look beautiful. But at the end of the season, they fold back up and it's still the tree trunk.
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