A Quote by Elizabeth Berg
Outside, the rain sometimes comes down so hard, we have to talk louder, and it feels like a miracle that the roof holds. It makes for a coziness and a gratefulness, too, that you have the choice to not be out in it. You can sit at the table and look out the window and not have to feel what you see.
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I remember once when we were moving, driving across country, and it was raining so hard, the windshield wipers going fast and squeaking, and then: nothing. It stopped. I looked out the window ahead of me and it was clear. I looked out the back and there was the rain, still going. Nobody said anything, but there it was, a near miracle, a rain line, a way of seeing just where something starts, when usually you are just in the middle of it before you notice it. That's how it feels to me now, to not want to be like (that) anymore. I see the line.
It makes a huge difference in how you feel, the way your costume holds you. When you look at yourself in the mirror, it makes you feel a certain way. Actors like to talk a lot about working from the inside out, but there's a lot to be said also about working from the outside in. It can be extremely helpful.
Let the rain kiss you.
Let the rain beat upon your head with silver liquid drops.
Let the rain sing you a lullaby.
The rain makes still pools on the sidewalk.
The rain makes running pools in the gutter.
The rain plays a little sellp-song on our roof at night-
And I love the rain.
Emotions are like passing storms, and you have to remind yourself that it won't rain forever. You just have to sit down and watch it pour outside and then peek your head out when it looks dry.
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
The reality is there is only each present moment: You are called to give a talk. You get out of a building and into a car. You look out of the window. You arrive at the venue. You sit in the chair; you wait; you step out onto the stage. Every movement is simple. There is only that.
Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
On the mainland, a rain was falling. The famous Seattle rain. The thin, gray rain that toadstools love. The persistent rain that knows every hidden entrance into collar and shopping bag. The quiet rain that can rust a tin roof without the tin roof making a sound in protest. The shamanic rain that feeds the imagination. The rain that seems actually a secret language, whispering, like the ecstasy of primitives, of the essence of things.
If your kitchen table is like mine, you sit there at night before you put the kids to bed and you talk about what you need. You talk about how much you are worried about being able to pay the bills. Ladies and gentlemen, that is not a worry John McCain has to worry about. It's a pretty hard experience. He'll have to figure out which of the seven kitchen tables to sit at.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
I don't look at myself on the outside. Sometimes you feel like you're not really there and need one more [take], because I feel like something is coming out. I don't really know what but I need to get it out.
I've never been heckled. I think because I look too small and vulnerable. Sometimes I look out into the audience and see pity in their eyes, so I guess those people may be the ones who would shout something out if they didn't feel so sorry for me.
If you live in the city, you only have to look out your window to see enough that would make you feel that you don't want to step outside your front door ever again.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
Every day, families in the United States face the stark choice between a roof over their heads and food on the table. Buying health insurance, owning a home, and saving up for college are just too far out of their reach.
Oh Christ, the exhaustion of not knowing anything. It's so tiring and hard on the nerves. It really takes it out of you, not knowing anything. You're given comedy and miss all the jokes. Every hour you get weaker. Sometimes, as I sit alone in my flat in London and stare at the window, I think how dismal it is, how heavy, to watch the rain and not know why it falls.
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