A Quote by Elizabeth Wein
I think as readers we put ourselves in the protagonist's place because we want to be like that person. That's why sometimes we don't like protagonists who aren't all that nice; we want to relate to the protagonist.
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Mr. Rogers would not make a good protagonist of a narrative film. He's without conflict, he's too far along on his journey toward enlightenment to be a good protagonist. Our protagonists have to be struggling with demons in a certain way.
I really loved ["The Love Affairs of Nathaniel P" by Adelle Waldman]. It's having a really hot moment. Unlike many hot books, it's actually really wonderful. I tend to have that reaction: I don't want to read it if everyone thinks it's cool. It was a really interesting insight into being young and male. Now that made me feel really thankful for my boyfriend and really thankful because he wasn't like that protagonist, but I know so many people who are like that protagonist.
The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
Every novel deals with social problems. It can't help it because the protagonist must come in conflict with his group. So the author has to offer an analysis of how the group and the protagonist fit. Otherwise, the reader will just say, "This makes no sense," and will put it away.
First person allows deeper insight into the protagonist's character. It allows the reader to identify more fully with the protagonist and to share her world quite intimately. So it suits a story focused on one character's personal journey. However, first person shuts out insights into other characters.
My intent is not to inflame Muslims but to entertain readers of great thrillers. At the end of the day, I want people to see a good protagonist struggle against serious odds and do so with courage and honor and integrity.
I want someone to be able to say, 'I relate to this person on The Five.' You feel like you belong. You kind of feel like it's family. They feel like they know us because we reveal so much about ourselves on the show.
I'm a girl, so I've experienced dismissal because I was a girl or because I write about girls: my book with a guy protagonist is treated as more literary and worthy than my other books with girl protagonists.
The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.
It would have been easier to have a male protagonist, but I didn't want people to assume that Nikki Hill was me in her entirety because a lot of people just don't like me and I don't think they would be interested in reading about me, even in the fictional context.
It is, because you've got a nice picture, you want to put it up, and then you're like, 'Do I want this to go out in the press? Do I want them to run it and make a story surrounding that picture?' That's what I have to think of all the time.
I think that sometimes people fear continuity because it can turn into repetition - and there's a lot of artists who are really good at creating something new all the time. But for me it's about the consistency in my story. Because after all, I'm the protagonist in everything. All the songs are about my life so naturally there will be some connection because I'm still the same person I've always been.
Personally, I know that it's taken me a few different kinds of workouts to find out what's good for me because I completely relate sometimes, when I'm like, 'I don't really want to go to the gym because I don't want people to see me like this.'
I want girls to be able to relate to me, and I think that's why a lot of commercial clients like me: because I'm just like everyone else.
I just think she was a wonderful woman. What I think of when I think of Nina [Simone] is someone that I could relate to, who didn't want anything from me, that could relate to me because I didn't want anything from her. It was nice.
People always want to identify a writer with their protagonist.
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