A Quote by Elizabeth Gilbert
I went to Shea Stadium and used the men's room. Terrifying. There was this little kid looking at me through the crack [in the stall]. and I was like, "If you tell anyone what you've seen..."
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I haven't seen 'Room' yet. People tell me 'Room' is such an amazing film, but ever since I had a kid, I just can't. I can't do it. It's not fun. It's not a place I want to be.
Rochelle," she calls out, still looking at me. "Is there anyone down at the desk? I need something." I'm too startled to move. Is she going to tell on me, get me in trouble? Rochelle's gotten up; she's banging the toilet stall doors open one by one, checking to make sure no one's in there. When the last stall turns up empty, she gives Amanda an annoyed look. "What do you need this time of night?" Amanda smiles at me, then turns to face Rochelle. "A tampon
What I want, more than anything, is to turn back time a little. To become the kid I used to be, who believed whatever my mother said was one hundred percent true and right without looking hard enough to see the hairline crack.
When I was a kid, I used to do my homework in the living room, where there was a picture window. I was hoping that someone would walk by and see me looking very studious in my living room.
If you've seen a photo of me from when I was a kid, I don't think anyone would have expected that going in front of the camera was something that I was going to do. I can't believe how little effort my parents put into making me seem like an appealing little girl.
I love motion-capture, because you're just free. It's like when you're a little kid, and you say, "Okay, we're the army men. We're going over the mountain." Or, in this case, "We're walking through the swamp" or "Walking through the casino." And it's just a blank room.
I have a love for Shea Stadium and its fans. I had so much fun with the fans. Yeah, they booed me. I was like, 'I know, I know.'
At Shea Stadium, I saw the top of the mountain.
I remember being young and people passing me things under the bathroom to sign, like under the stall. Like adults. We were shooting at Disney World, and my mom went with me to the bathroom, and an adult woman came in and under the stall was like, "Can you sign this?" And I remember my mom being like, "Have you lost your mind? What is wrong with you? You don't do that! She is a child and you don't do that to anyone!" Who thinks that is a good idea? Someone.
When I was a kid my parents used to tell me, "Emo, don't go near the cellar door!" One day when they were away, I went up to the cellar door. And I pushed it and walked through and saw strange, wonderful things, things I had never seen before, like... trees. Grass. Flowers. The sun... that was nice... the sun.
You can get rid of the column. It's a little like staying at a hotel; you get used to the shape of the room, and then you're gone. With a novel you move into town and stay for a long time. That's both comforting and terrifying.
As a little kid, I used to lock myself in my room and put on my Whitney Houston CD's and pretend to be her and try and hit every single note that she hit. I used to dream that one day that would be me.
Florida was a living tomb, she used to tell anyone who'd listen, an old-age home in the shape of a state, God's little waiting room, as she was fond of quoting.
I limbered up just a little before entering the stadium, and even so I felt a twinge in my thigh, no doubt the fruit of my imagination. And I went back to the massage room so that my faithful Morizot could take the trouble off my muscles. This soothed me considerably and I thought I was back to a normal state until somebody summoned me to the starting line. It was like feeling a blade go through my flesh.
When I have a kid, I want to buy one of those strollers for twins. Then put the kid in and run around, looking frantic. When he gets older, I'd tell him he used to have a brother, but he didn't obey.
. . . crazy world or maybe it's just the view we have of it, looking through a crack in the door, never being able to see the whole room, the whole picture.
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