A Quote by Elizabeth Gilbert
Being a woman did not look enviable to me, even when it looked admirable. It looked like nonstop sacrifice and service. Because it was. Being a woman seemed vulnerable and sad. Even the strong women I knew - and they were all strong - had earned their strength through enduring huge disappointments and tremendous struggles.
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You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.
A strong woman is a woman who craves love like oxygen or she turns blue choking. A strong woman is a woman who loves strongly and weeps strongly and is strongly terrified and has strong needs. A strong woman is strong in words, in action, in connection, in feeling; she is not strong as a stone but as a wolf suckling her young. Strength is not in her, but she enacts it as the wind fills a sail.
When I look at him [Edward Heath] and he looks at me, I don't feel that it is a man looking at a woman. More like a woman being looked at by another woman.
Being the ideal of a strong woman means utilizing all the things that God gives you. People are always saying to me, 'You're a strong female, so why are you wearing a bikini on the cover of that magazine?' Being a strong woman is misconstrued to be something evil and ugly.
I like strong women - not necessarily a masculine woman - but I like strong women...say a woman who runs a C.E.O. corporation. I like a strong woman with confidence - massive confidence - and then I want to dominate her sexually.
When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.
I love being a woman. I never wanted to be a man or needed to prove I was just like them. I graduated law school at USC, won moot court honors, and finished high in my graduating class, so I knew who I was. I knew I was intelligent and educated and strong. Being a woman has always helped me in many ways.
There was always a strong sense of femininity in the house, always that presence. And while it wasn't founded by a woman, the family always had this brilliant intuition for being surrounded by great women. Not that I am a great woman - I don't want to say that! - but there were always great women in different ages who had really a strong idea of style and could really translate the know-how of the house.
I like to play a strong woman, but a strong woman can also be very fragile and vulnerable at the same time.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
My mother was an extremely strong Pueblo woman. My grandmother was the same. I had strong women in my life. My aunties who were there for me every step of the way.
I am a huge fan of the supermodels from the '80s and '90s, like Naomi Campbell and Cindy Crawford. My ultimate favorite is Daniela Pestova. She is the epitome of a strong, healthy, sexy woman. I like working out and being fit, so I look up to women like her.
It occurred to me that there have always been selkie women: women who did not seem to belong to this world, because they did not fit into prevailing notions of what women were supposed to be. And if you did not fit into those notions, in some sense you weren't a woman. Weren't even quite human. The magical animal woman is, or can be, a metaphor for those sorts of women.
It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.
The Maier woman is not a woman who doesn't have fun. My woman is not a woman who doesn't have a life. I like clothes to suggest something. I'm gay, but so what? I still have that sensibility that I like to look at a beautiful woman, and I'm as intrigued as any straight man. I probably look even harder because I like what you don't see.
Miss Jenkyns wore a cravat, and a little bonnet like a jockey-cap, and altogether had the appearance of a strong-minded woman; although she would have despised the modern idea of women being equal to men. Equal, indeed! she knew they were superior.
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