A Quote by Elizabeth Debicki

That world of spies and espionage, there's a coldness to it. That's what makes those worlds fascinating - and what makes le Carre's work so interesting. — © Elizabeth Debicki
That world of spies and espionage, there's a coldness to it. That's what makes those worlds fascinating - and what makes le Carre's work so interesting.
I think that is so interesting. It is le Carré. There must be so much of him when he was younger. He's an interesting character. I don't want to say the word "passive" because there is something very active about the way he is passive, if that makes any sense: the nature of his watching and his listening is active. It is always so alive because he is, essentially, a spy.
What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.
If I have a strong dislike for something, obviously that garners an equal amount of derision, towards me from the audience. And that's fine, as long as it's within the bounds of decency and isn't too personal in the vitriol. That's what makes the blog interesting, and that's what makes reading it interesting and that's what makes writing interesting. You don't want everyone to agree.
I love Le Carre's writing.
I think Le Carre is a great modernist writer, which is to say, in a godless world, he invokes deep, almost religious ideas of betrayal, trust, faith, and that's why we love it.
I am indeed a fan of John le Carre's novels.
I think that's what makes life interesting - the evolution of getting older, and it's kinda fascinating to me, the whole process.
There's a blockbuster side to Knopf, whether it's P. D. James or John le Carre or our best-selling books. We try to sell our writers as aggressively as those houses regarded as commercial with a capital C.
And now good morrow to our waking souls, Which watch not one another out of fear; For love, all love of other sights controls, And makes one little room, an everywhere. Let sea-discoverers to new worlds have gone, Let maps to other, worlds on worlds have shown, Let us possess one world, each hath one, and is one.
John le Carre's 'The Night Manager' is a relentlessly exhilarating thriller with profound emotional depths.
I think John le Carre is, at 77, the greatest living writer alive. He is a master craftsman.
If you think about it, when you listen to music, music makes you cry. It makes you happy. It makes you dance. It makes you mad. Those are the same emotions that I experience when I feel the energy of a spirit when I'm contacting the spirit and communicating with it.
Fast-paced from start to finish, 'The Honourable Schoolboy' is fired by le Carre's conviction regarding evil done and its consequences.
Because we build the worlds we wouldn't mind living in. They contain scary things, problems, but also a sense of rightness that makes them alive and makes us want to live there.
Stupid religion makes stupid beliefs, stupid leaders make stupid rules, stupid environment makes stupid health, stupid companions makes stupid behaviour, stupid movies makes stupid acts, stupid food makes stupid skin, stupid bed makes stupid sleep, stupid ideas makes stupid decisions, stupid clothes makes stupid appearance. Lets get rid of stupidity from our stupid short lives.
For me, as a believer, I found myself in between two worlds because I live in this world, this fallen world, and I want to glorify God here, and I want to point to Jesus here, I want to work here and live with my wife here, but I also look forward to the recreation of this world when the Lord Jesus comes back and makes all things new.
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