A Quote by Elizabeth McCracken

For some people, history is simply what your wife looks good standing in front of. It’s what’s cast in bronze, or framed in sepia tones, or acted out with wax dummies and period furniture. It takes place in glass bubbles filled with water and chunks of plastic snow; it’s stamped on souvenir pencils and summarized in reprint newspapers. History nowadays is recorded in memorabilia. If you can’t purchase a shopping bag that alludes to something, people won’t believe it ever happened.
The book 'A Reliable Wife' is a slice of American history. It takes a part of American history and tells a story about the purchase of a wife by a Wisconsin businessman. The research of that would have been really interesting.
We learn to think of history as something that has already happened, to other people. Our own moment, filled as it is with minutiae destined to be forgotten, always looks smaller in comparison.
Let's say that history is what happened. The record of what happened is how each individual happens to see those events. They've already been ?ltered. When the historian or biographer takes over, history is no longer exactly what happened, because there has been a process of selection going on; it's impossible to write about anyone, any event, in any period of time, without in some way imposing, even unconsciously, your own standards, your own values.
I'm convinced the true history of our time isn't what we read in newspapers or books...True history is almost invisible. It flows like an underground spring. It takes place in the shadows, and in silence, George. And only a chosen few know what that history is.
Life and study have persuaded me of the openness of history. There is no inevitability in history. Thinking about what might have happened, what could have happened, is a necessary element in trying to understand what did happen. And if, as I believe, individual acts of decency and courage make a difference, then they need to be recorded and remembered.
History, after all, is a process, not a position, and it is not best written in bronze and marble. It is complex, plastic and ever-changing; all things that heroic statues are not.
My wardrobe comprises of the world's top designers and is equally filled with shopping from roadside stalls and local shops because I believe 'if it looks good, it looks good!' full stop.
My body is what? Like 99 percent water or something. But I drink all of my water out of, like, plastic containers. You know what I mean? What is plastic? My body is not one percent plastic, but the way that I ingest the water that runs through all of my veins is almost strictly out of plastic. There's something wrong with that.
Rulers, Statesmen, Nations, are wont to be emphatically commended to the teaching which experience offers in history. But what experience and history teach is this - that people and governments never have learned anything from history, or acted on principles deduced from it. Each period is involved in such peculiar circumstances, exhibits a condition of things so strictly idiosyncratic, that its conduct must be regulated by considerations connected with itself, and itself alone.
Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are.
Identity is marketed in national capitalism as a property. It is something you can purchase, or purchase a relation to. Or it is something you already own that you can express: my masculinity, my queerness . But identity need not be simply a caption for an image of an unchangeable concrete self. It is also a theory of the future, of history.
The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad.
What experience and history teach is this - that nations and governments have never learned anything from history, or acted on any lessons they might have drawn from it. Variant: What experience and history teach is this - that people and governments never have learned anything from history, or acted on principles deduced from it.
There was a still life on Billy's bedside table-two pills, an ashtray with three lipstick-stained cigarettes in it, one cigarette still burning, and a glass of water. The water was dead. So it goes. Air was trying to get out of the dead water. Bubbles were clinging to the walls of the glass, too weak to climb out.
History is not usually what has happened. History is what some people have thought to be significant.
It does seem really hard to get consumers to do the right thing. It is stupid that we use two tons of steel, glass, and plastic to haul our sorry selves to the shopping mall. It's stupid that we put water in plastic bottles in Fiji and ship it here.
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