A Quote by Elisabeth Moss
There's nothing like getting yourself into character and seeing a different person. It really wears on your vanity.
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What you wear - and it always starts with your shoes - determines what kind of character you are. A woman who wears high heels carries herself very different to a girl who wears sneakers or sandals. It really helps determine how you carry yourself.
Faith is the substance of hope - of things hoped for and the evidence of things not seen. So if you can hope for it and imagine it, and keep imagining and hoping and seeing yourself driving a new car, or seeing yourself getting that job, or seeing yourself excel, seeing yourself help that person - that is faith.
There is a stage you reach, Deagle thinks, a time somewhere in early middle age, when your past ceases to be about yourself. Your connection to your former life is like a dream or delirium, and that person who you once were is merely a fond acquaintance, or a beloved character from a storybook. This is how memory becomes nostalgia. They are two very different things - the same way that a person is different from a photograph of a person.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
I think part of the fun of being an actor is getting to work with different directors and seeing their take on it, what they're passionate about. They all have different ideas about your character.
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation.
I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
I don't understand what people are talking about in different rhymes glorifying jail. If you like going to bed early, getting yelled at, seeing a fight, seeing somebody getting their head split open, or fighting over the TV then that's the place for you.
Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.
There's going to be government and politics that aren't representative of everyone. So, we have to really take it by a person by person basis, we can't just say, "hey, this guy looks like this," or "he's that religion" or "he wears this kind of clothes," "your skin tone is this way."
And could I look upon her without compassion, seeing her punishment in the ruin she was, in her profound unfitness for this earth on which she was placed, in the vanity of sorrow which had become a master mania, like the vanity of penitence, the vanity of remorse, the vanity of unworthiness, and other monstrous vanities that have been curses in this world?
And it interferes with your ability to be a good actress if you're constantly aware of yourself as a person. To me, it isn't valuable to think about how I'm coming off all the time if I'm trying to create a character, because that's a process that I love. It's like falling in love and surrendering to another person or a character.
I don't feel like you can fully find the true character until you're in his wardrobe, on set, and really getting into the scene. And that's when you really find out who your character is.
I am used to doing dramatic work, but its fun to grab a gun, and go running around, getting beat-up. Its fun to do the action stuff, because it is really physical. There is nothing like getting into a character by getting beaten up physically.
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