A Quote by Elizabeth Rodriguez

When you have a tough childhood, you either cry or make a joke. — © Elizabeth Rodriguez
When you have a tough childhood, you either cry or make a joke.
I guess they're tough jokes. But there's lots of things you either laugh or cry at. And you just can't cry.
I'm at an age where crying is easier for me now. I like it. I can cry at a poignant commercial; I can cry at a - this is a running joke in my house, but... a good 'Star-Spangled Banner' can make me cry. I'm not kidding.
I think basketball harnessed and built my toughness and competitiveness. I grew up in a tough neighborhood, and you were either going to cry and moan about it or get tough.
Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other.
I believe it is tough to be funny and tougher to make people laugh. And it needs to be been done effortlessly. A joke can be comedy, but one can kill the joke if it is delivered badly.
I'm very much of the "make it dark, make it grim, make it tough", but then, for the love of God, tell a joke.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
The age-old mistake, which has stunted countless lives, is the assumption that because physical hardship in childhood makes you physically tough, emotional hardship must make you emotionally tough.
The justification for early boarding is based on a massive but common misconception. Because physical hardship in childhood makes you physically tough, the founders of the system believed that emotional hardship must make you emotionally tough. It does the opposite.
There's a great line by Joss Whedon: "Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke." Even for a reader, there's only so much punishment they can take. You've got to give them a break here and there.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I always say if music can't make you cry, you're a hopeless case. I don't cry very much myself, but it's my job to make you cry.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
Sometimes guys need to cry. Some hockey players think they're too tough to cry.
Westminster is no joke. I took some tough classes there. It prepared me for a tough career.
I tell you a joke to have you listen to me, and then maybe I will tell you another joke that we can laugh together and feel equal. And then I will tell you a story hopefully that will make you cry. So I think that's the way that I approach the columns, as a surviving tool in a way.
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