A Quote by Elizabeth Flock

So often, as a reporter, we have to parachute into places. We don't have much time. We have to make sense of the story as fast as we can. — © Elizabeth Flock
So often, as a reporter, we have to parachute into places. We don't have much time. We have to make sense of the story as fast as we can.
People often talk about parachute journalism, but one of the skills that you get when you are a correspondent is the ability to look at facts fast and work out what the story is.
History, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn’t make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn’t fit. And often that is quite a lot.
The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.
Newspapers have been likened to steamships that move very slowly, in terms of their direction. And when a reporter is sent out on a story, if that reporter has his or her own personal standards and is given a certain amount of time, they're going to probably do as good a story yesterday or tomorrow as they did the day before yesterday when there was a different editor there. But an editor provides vision. An editor decides what's going to be on page one, what gets rewarded, who's given more time, who's given what beats. They set a direction.
As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.
I think, though, that people will read into a reporter's story a bias that they want to see in a reporter.
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.
Invest in places that make sense so you can afford to live in places that don’t make sense.
Never steal another reporter's story; never take the last of another reporter's ammo; never mess with another reporter's computer. Those are the rules, unless you work for a tabloid, where they replace "never" with "always".
Every animated film that I've worked on - whether it was as a story artist or as Head of Story or even as director - where we originally started out with our story and where we eventually ended up were often very different places.
Think back over your day and consider when God spoke. How did you sense it, or why did you fail to sense it at the time? It is often between the lines and in the empty places where we hear God.
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The 'mot juste' unarriving? Tell that to your desk.
Story is the vehicle we use to make sense of our lives in a world that often defies logic.
The most amazing feeling in the world is destroying. It takes so much strength and patience and time to build, and destruction is fast, fast, fast. Explosive.
Curating, in the modern sense, is something I gravitate to. Taking different ideas from a bunch of different places and putting them into one place or space, a story that makes sense or a new idea. Everything is remixed and taken from other things to make something new.
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