A Quote by Eliot Sumner

I'm a bit of a geek when it comes to music. I like studio gear. I'm always looking it up on eBay and seeing what I can afford. — © Eliot Sumner
I'm a bit of a geek when it comes to music. I like studio gear. I'm always looking it up on eBay and seeing what I can afford.
The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
I like tweaking the studio and wiring things up almost as much as making music, so that's kind of a hobby of mine, in and of itself. I don't like to collect gear that I know I'm not going to use, though.
I have limited interests. I really like all sorts of gear. Guitar gear. Recording gear. Stuff like that. I like music, you know.
I just love music gear, I'm a total geek all around.
When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.
The gear you can't afford is not the barrier keeping you from success. Gear has very little to do with photography.
I don't know anybody that buys more shoes on eBay than me. I like eBay because I can always find rare gems in my size. I always have upwards of 40 sneakers in my cart at any given time.
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero movie.' Though if one did, that would be an interesting studio to work with.
I was always the kid at the side of the playground, looking at the other kids. I didn't know how to get into the group. I was quiet and bookish, a bit of a geek. I was into orienteering when my friends were out clubbing.
As far as geek culture, I didn't grow up in the comic con geek culture lane, then I started doing Comic Cons seeing the impact of it. The character, Rufio living on.
I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.
My whole life I've always innovated the gear to match my pursuits. I've innovated the best climbing gear, the best slacklining gear, and definitely the most advanced BASE jumping gear.
A good DJ is always looking at the crowd, seeing what they’re like, seeing whether it’s working; communicating with them. Smiling at them. And a bad DJ is always looking down at what they’re doing all the time and just doing their thing that they practiced in their bedroom
You can get the oldest drum machine out and whack out four sounds like a kick, snare, and two types of high-hat, and try and come up with the freshest thing on the spot. The gear can guide you - you can choose one bit of gear and it's obviously got its restrictions and its limitations, but at the same time, you've got to exploit what it's capable of and what it's best used for.
What we were seeing was a little bit like throwing the apple up in the air and seeing it blast off into space.
I was bullied. I was a bit of a geek. Good-looking guys were off-limits. I didn't start dating until I was 18.
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