A Quote by Alison Gopnik
We're in a culture where everything is either consumption or production, so child care is either a very, very bad-paying form of work or a very expensive luxury that you purchase. There isn't a good place in our picture of the world for what caregiving is about. Even teenage babysitters have sort of disappeared from the scene.
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Obamacare will never work. It's very bad, very bad health insurance. Far too expensive. And not only expensive for the person that has it, unbelievably expensive for our country.
I want to make sure that teenage girls know that if you decide to keep your child, you have to get an education. You have to have a plan A, B, and C. Make sure you have a good support system. If all those things are not in place, it's going to be very, very hard - very, very lonely.
Once we are fed, heated, housed and healthy, our extra consumption inevitably has an element of luxury about it. And once luxury enters the scene, the practicalities are in trouble, as women who wear expensive stiletto heels can testify.
It's good that everyone has an opportunity to take pictures, the chance to be a photographer. Some are good, too. But the bad thing is that it's very, very difficult to take a great picture. Everyone can take a good picture - even a child - but it's hard to make a great one.
Children simply don't make the distinction; a book is either good or bad. And some of the books they think are good are very, very bad indeed.
He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture.
I've realized over the years I either play very good people or very bad people, and I think I always enjoy the very bad people more.
'Hill St.' was very good, but it was very impersonal work for me. I wrote about that place as if I was a visitor. It wasn't what my life was like. It was a great place to learn the craft of how to shape a scene, but I wanted a chance to write about more personal themes and obsessions.
L.A. is, on one hand, very mysterious; it's very modern. It's a mysterious place - it's a haunting place - and everything in our culture around the world of entertainment leads back to Hollywood.
I love sketch; it's my favorite form. But if it's all improv, they're either very good, and it's annoying how good they are, and it makes you feel bad, or they're not too good; then you're sweating for them.
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
We're either awake or we're sleeping. During the time that we're awake, we work very hard at denying things, mainly because we have to function as people. We have to control and repress everything that we're fearful of, because it doesn't make sense to go crazy on the streets, but in reality we hide and we hide, repress and repress, our fears of the world of violence, of separation, of death, and sometimes hopes, and some things that are very joyful, reunions or all of those good things. It's only in dreams that we're really truthful with whatever hurts most; they're really very real.
As women, we're presented this false choice that is either our children or our work. But I don't think I fully understood the paradox until I had a child. I bring my son to work and let other parents do the same. I am very intentional about the workplace that I create, and my son is a big part of that.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
People share everything on Facebook. That can be a very good thing or a very noisy thing. With Foursquare, people know that they're getting information specifically about a place, advice about where they are and what they could be doing. It's a very filtered view of the world.
For some reason there's this myth that creativity - [especially] in terms of creative writing - is a gift you either have, or you don't. So when people first start writing, if they write something that's not very good, or if they try and it's difficult, they go, "Oh, I guess I don't have it." That doesn't seem very fair, you have to try and you have to work at it. If we get scared of one bad poem and quit, that's not doing anybody any good.
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