A Quote by Elif Batuman

As a grad student and later as a writer, I have found it hard to sustain the pure, almost erotic love of reading I had as a kid - you know, where you climb in bed and read for hours and hours, and the book itself is this charged magical object. Later, when writing becomes your job, it's tied up with ego and all kinds of worry, and it's not always easy to get to that state of pure escape.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I suppose I could read more fiction, but I haven't moved in that direction. I'd like more time even though I spend six hours a day reading. People say their eyes get tired, but I've never experienced that. In college I used to read 10 hours a day. My wife says I'm obsessive compulsive. She might have a point because when I was an undergrad student we had the required reading list and the suggested reading list. I always read all the suggested reading too.
I'll get up at 5 or 6. I try to catch up on sleep on the weekends, so I'll try to get seven hours of sleep. During the week, my ideal is to go to bed at 9 and wake up six hours later.
I love writing in longhand. Writing in longhand, I think, is a marvelous thing to do for a writer these days. If you have a notebook and a nice pen you can go off somewhere, you can write that's solar powered. You can drop it or get it wet and pretty much all of your work will continue to be there. If you suddenly decide to look up a word or check a reference you will not look up four hours later, blinking, finding yourself somehow in the middle of an Ebay auction you never had any plans to be part of.
When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.
The Bible is forbidding when you start to read it. The language is odd. The stories start and stop herkily-jerkily. The characters behave in inexplicable ways. It takes a little bit of time to get into the rhythm of the book. I found reading the first 15 chapters of Genesis very very difficult. Once I got past there, I loved reading, and found it very easy. When you get used to the Bible, it becomes thrilling to read (like any great book - I just had exactly the same experience with the Odyssey).
Why must love always be accompanied--sooner or later--by sorrow and pain? Why not? Because pure bliss is for pure idiots.
Pure love removes all negative feelings. Destroying all selfishness, it expects nothing but gives anything. Pure love is a constant giving up- giving up of everything that belongs to you. What really belongs to you? Only the ego. Love consumes in its flames all preconceived ideas, prejudices and judgments, all those things which stem from the ego. Pure love is nothing but the emptying of the mind of all its fears and the tearing off of all masks. It exposes the Self as it is.
No, and I never, ever eat in between the meals. I control it well enough and with no pills, and I sleep seven hours a night. I go to bed. I fall asleep, and I wake up seven hours later, and this is the most important.
Make sure your characters are worth spending ten hours with. That’s how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you’ve created? Your characters can be loveable, or they can be evil, but they’d better be compelling. If not, your reader will be bored and leave.
Now that I'm in 'Nashville,' the thing that I'm loving the most is co-writing. You walk into the room and you shake hands with someone you've never met before and you walk out four hours later and you've got this thing... sharing ideas and everything, it's almost magical, like a miracle.
I'm no prophet, but I'm guessing that comic books will always be strong. I don't think anything can really beat the pure fun and pleasure of holding a magazine in your hand, reading the story on paper, being able to roll it up and put it in your pocket, reread again later, show it to a friend, carry it with you, toss it on a shelf, collect them, have a lot of magazines lined up and read them again as a series. I think young people have always loved that. I think they always will.
People who worked with me or knew me still called me the 'world's fastest human' because I almost never stopped. I'd found that I could get more done with no regular job or regular hours at all, but by being on my own, flying to speak here, help with a public relations campaign for some client there, tape my regular jazz radio show one morning at 5:00 a.m. before leaving on a plane for another city or another continent three hours later to preside over a major sporting event.
I thought I might get a part as a farmer. I knew about the books but I hadn't read them. A few weeks later, an actor whispered in my ear, 'It sounds like you're in line for James Herriot.' I read every book in about 48 hours.
Stockings are tricky for girls - you worry about them falling down all night and the idea that you dress up at 7pm so that your boyfriend can get excited about six hours later is just too much effort.
I read 'On The Road' in college. I was 18 or 19, and I had a particular quarter where I was taking biology, calculus, and physics. Those were my three classes. It wasn't a well-rounded schedule at all. It was hard, hard work, all the time - hours and hours and hours of homework.
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