A Quote by Elisha Cuthbert
That's when you know a horror film delivers - when you're walking out of the theater going 'Oh my God!' You can't get the images out of your mind.
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With me it started as a child, going to the theater and being totally transported but also walking out of the theater thinking I was the protagonist in the film and reenacting the scenes.
I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."
Even though you try very hard, the progress you make is always little by little. It is not like going out in a shower in which you know when you get wet. In a fog, you do not know you are getting wet, but as you keep walking you get wet little by little. If your mind has ideas of progress, you may say, 'Oh, this pace is terrible!' But actually it is not. When you get wet in a fog it is very difficult to dry yourself.
When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.
When your alarm goes off and you jump out of bed, what is the nature of the mind in that moment? Are you already like, "oh my God," your calendar pops into your mind and you're driven already, or can you take a moment and just lie in bed and just feel your body breathing. And remember, "oh yeah, brand new day and I'm still alive." So, I get out of bed with awareness, brush my teeth with awareness. When you're in the shower next time check and see if you're in the shower.
Hop in? Dude, are you out of your ever-loving mind? I can’t touch this. I might leave a fingerprint or something. (Nick) Oh the horror. Guess I’ll have to trade the piece of junk in and get a new one if that happens. (Acheron)
You're frustrated when things aren't going right. When you're out there, you have your piece of it, your view. It isn't until usually the next day when you're watching the film that you get to put all the pieces together: 'Oh, this is what happened on that play'; 'This is why I did that.' You don't totally know that game day.
You know, being an 'other' in this world, you're walking around in a horror movie at all times, you're always on edge and wondering when the monster is going to jump out and get you. I feel like that's the experience of African-Americans and queer people in America.
When you stand between two mirrors you're spread out among the images, your whole soul is pulled out thin, and somewhere in the distant images a dark part of you might get out and come looking for you, if you aren't careful.
I know what God did for me. I know that He is my way out and my way in. He's my way out of all this havoc and my way into paradise. He suffered for me and for everybody listening. God loves us so much. He tried a lot of things to get our attention. He tried a lot of things to get us back to Him. So He said, "I'll tell you what. I'm going to make it real simple for you. I'm going to send my Son. He's going to take on all your iniquities and all your sins. He's gonna die in your place so you can have everlasting life. All you've got to do is accept that.
What makes horror movies work is the idea that "oh my God, what would I do if I were in that situation? How would I get out of that alive? What would I do if I saw the door to my closet creaking open in the middle of the night and a doll on a tricycle comes riding out?"
Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.
In actor's career, I had a fair amount of denial, which I think is possibly in the genes, where I just couldn't go to, "Maybe this won't work out." I just couldn't do it. My mind just refused to go there. I don't mean there weren't low periods. There were plenty. But I remember arriving in New York and I was maybe 32, and I didn't have an agent. I came from Chicago, where I had gone to school and worked and got my sea legs, so to speak, and I remember walking out of the subway, walking the streets, standing in front of the theater and saying, "I will work in this theater."
When a film is reviled, you open a film and people say "Oh, it's the stupidest thing, it's the worst movie." You think: oh, nobody's going to ever speak to you again. But, it doesn't happen. Nobody cares. You know, they read it and they say "Oh, they hated your film." You care, at the time. But they don't. Nobody else cares.
You know my girls are so funny. You're out in the country and there are critters everywhere and they get a little like, 'Oh my God! Oh no, bugs!' and I had to say, 'Honey this is fine. This is their world and it's all part of being in the country.' I realized, 'Oh my God, my girls are really city girls.'
Timidity has no place in a major action movie. You have to know how to take your moments. Sometimes walking out the door is just walking out the door. But when it's your moment, you have to go for it.
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