A Quote by Ella Henderson

A piano in the house, when I came home from school and was able to play all these different notes with all theses different sounds, I really found that fascinating. — © Ella Henderson
A piano in the house, when I came home from school and was able to play all these different notes with all theses different sounds, I really found that fascinating.
I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.
Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.
I would leave school every day and walk to my grandparents' house under the El because everyone worked. I was 6 and walking home alone from school. It was a different city and a different time.
With all of the people in Cuba who I met - many of them hugely heroic figures - I found learning about their complexity and richness and contradictions just really fascinating, and it was fulfilling to be able to offer a different side to them, to be able to have some kind of unique takeaway from the official narrative.
I am really not a speedcuber. My best time when I was practicing was about a minute. Usually people say if you can create a piano, you must be a good piano player, but it is not true. They are different type of human activities and need different capabilities.
I'm taking drama classes, they say I'm a natural actress. I think it's just because I talk a lot. I'm also learning how to play guitar and piano. Piano is really hard though. My dad is teaching me and I just get so confused because the chords are so different, but by learning I hope to be able to be a songwriter as well.
My father had played cornet, although I never saw him play it. I found his mouthpiece when I was a kid. I used to buzz it. And my mother played piano and sang in the church choir for different functions. So there was always music in the house, jazz, gospel, or whatever. Especially jazz records.
I was very quick; I did nothing but play the piano apart from being at school. I was at home with my mother, saying, 'Go out and get some fresh air.' No, I wanted to play the piano all the time I could. I was completely obsessed.
I started playing piano when I was eight, and I went on to study piano in school, so I have a background in classical piano and studied composition in school. Writing music came later.
Different managers play different systems, and you've got to be able to play in different positions.
The ability to play different people, grasp at what is running in their head and be somebody completely different from who I am, is fascinating.
I've traveled a fair amount around the country and visited many states. It's amazing that Oregon is so different from Idaho; even though Portland isn't that far from Boise, it's a completely different city. Colorado is very different from Oregon. From a European perspective, I've always found that fascinating about America.
I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too.
I'm always talking to the writers because I find it so fascinating, how they're able to go to these different levels with the different stories, and have all these layers to peel back.
I just found the piano so fascinating and wonderful, and I begged my parents to buy me one. In the end, they bought me a toy piano and eventually an upright piano, and I started lessons.
If you put four different people on a podium conducting the same downbeat, you get four different sounds. It's a little mysterious and fascinating. There's so much you can do with motions and body movements besides giving accurate beats.
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