A Quote by Ellen Glasgow
... in the nineteen-thirties ... the most casual reader of murder mysteries could infallibly detect the villain, as soon as there entered a character who had recently washed his neck and did not commit mayhem on the English language.
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We know from our recent history that English did not come to replace U.S. Indian languages merely because English sounded musical to Indians' ears. Instead, the replacement entailed English-speaking immigrants' killing most Indians by war, murder, and introduced diseases, and the surviving Indians' being pressured into adopting English, the new majority language.
... as recently as the mid-1970s, the most well-respected criminologists were predicting that the prison system would soon fade away. Prison did not deter crime significantly, many experts concluded. Those who had meaningful economic and social opportunities were unlikely to commit crimes regardless of the penalty, while those who went to prison were far more likely to commit crimes again in the future.
Why are murder mysteries so popular? There's a 3-part "formula" (if you want to call it that) for a genre novel: (1) Someone the reader likes and relates to (2) overcomes increasingly difficult obstacles (3) to reach an important goal. The more important the goal, the stronger the novel. And the most important goal that any of us have is survival. That's why murder mysteries are more gripping than a story titled "Who Stole My TV Set.
Everything has its place and time. We men of the nineteen-forties can smile at the mistakes of the nineteen-thirties, and, in turn, the men of the nineteen-fifties will laugh at the mistakes of the nineteen-forties. It is this historical perspective that shall save us.
Traditional murder mysteries are interesting because they're ostensibly about a horrible thing - murder - but underneath that, they're about restoring order to a messed-up world. By the end of a whodunit, the detective has taken the reader through all the reasons why this terrible thing happened. Through that explanation, and by seeing the killer captured, the reader feels a sense of catharsis.
Men commit murder and all sorts of mayhem, in a few years they're back on the streets. Highway robbery and white collar crime, and they laugh at the system they beat.
The Brits make the best murder mysteries - I mean, did you see 'Broadchurch'? Wasn't it amazing? I love the mysteries and trying to put it all together.
In the nineteen-thirties, one in four Americans got their news from William Randolph Hearst, who lived in a castle and owned twenty-eight newspapers in nineteen cities.
As sheer casual reading matter, I still find the English dictionary the most interesting book in our language.
He had a sense of his dignity, which was of the most exquisite nature. He could detect a design upon it when nobody else had any perception of the fact. His life was made an agony by the number of fine scalpels that he felt to be incessantly engaged in dissecting his dignity.
The world has been tragic since the day Adam and Eve sinned in the garden. From that moment murder, mayhem and war entered the scene and we are still suffering the consequences of a man-driven, self-serving, short-sighted environment.
The terrorists-those nineteen people, with hundreds or maybe thousands behind them-did the worst thing you can possibly imagine. But tens of millions people did the right thing...On 9/11, all the hatred and murder could not compare with the weight of love, of bravery, of caring.
Joyce's writing in Dubliners contains some of the most unshowily beautiful sentences in the English language. I learned from him that if you write a good, clean line of English, you can get under a reader's skin. The reader won't even know why, but there you are. Didion, Berger, the many others I mentioned above, and many, many poets I haven't mentioned. Writers of this calibre are the moving targets the rest of us are always chasing.
In October 1920 I went to Leeds as Reader in English Language, with a free commission to develop the linguistic side of a large and growing School of English Studies, in which no regular provision had as yet been made for the linguistic specialist.
The most loving parents and relatives commit murder with smiles on their faces. They force us to destroy the person we really are: a subtle kind of murder.
Dr. Adler had instructed me to always say whatever I was thinking, but this was difficult for me, for the act of thinking and the act of articulating those thoughts were not synchronous to me, or even necessarily consecutive. I knew that I thought and spoke in the same language and that theoretically there should be no reason why I could not express my thoughts as they occurred or soon thereafter, but the language in which I thought and the language in which I spoke, though both English, often seemed divided by a gap that could not be simultaneously, or even retrospectively, bridged.
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